"Arabella, Op. 79 / Act 3: Ich gratuliere Ihnen, Herr Leutnant" by Richard Strauss, Franz Grundheber, Kiri Te Kanawa, Ernst Gutstein, Peter Seiffert, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Jeffrey Tate was released on January 1, 1987. With this song being about 5 minutes long, at 5:14, "Arabella, Op. 79 / Act 3: Ich gratuliere Ihnen, Herr Leutnant" by Richard Strauss, Franz Grundheber, Kiri Te Kanawa, Ernst Gutstein, Peter Seiffert, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Jeffrey Tate is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 40 in the song's album "Strauss, R.: Arabella". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United Kingdom. Arabella, Op. 79 / Act 3: Ich gratuliere Ihnen, Herr Leutnant is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Arabella, Op. 79 / Act 3: Ich gratuliere Ihnen, Herr Leutnant by Richard Strauss, Franz Grundheber, Kiri Te Kanawa, Ernst Gutstein, Peter Seiffert, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Jeffrey Tate having a BPM of 81 with a half-time of 40 BPM and a double-time of 162 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le nozze di Figaro, K. 492: Overture | Wolfgang Amadeus Mozart, BBC Symphony Orchestra, Sir Colin Davis | D Major | 1 | 10B | 79 BPM | ||
Bach - Violin Sonata in E Minor, P. 85 (after J.S. Bach's BWV 1023): I. Allegro | Ottorino Respighi, Ilkka Talvi, Seattle Symphony Orchestra, Gerard Schwarz | D Major | 2 | 10B | 126 BPM | ||
Salome, Op. 54 / Scene 2: "Ich will nicht bleiben" | Richard Strauss, Cheryl Studer, Marianne Rorholm, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli | F♯ Minor | 1 | 11A | 90 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Itzhak Perlman, Bernard Haitink, Royal Concertgebouw Orchestra | E♭ Major | 1 | 5B | 87 BPM | ||
4 Letzte Lieder, TrV 296: No. 2, September | Richard Strauss, Kiri Te Kanawa, Andrew Davis, London Symphony Orchestra | D Major | 2 | 10B | 95 BPM | ||
El sombrero de tres picos, Pt. 1: III. Danza de la molinera | Manuel de Falla, Carlos Miguel Prieto, The Orchestra of the Americas | D Major | 1 | 10B | 121 BPM | ||
Holberg Suite, Op. 40: 3. Gavotte (Allegretto) - Musette (poco più mosso) - Gavotte | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | G Major | 0 | 9B | 78 BPM | ||
Symphony No.8 In G, Op.88, B. 163: 4. Allegro ma non troppo | Antonín Dvořák, Berliner Philharmoniker, Rafael Kubelík | G Major | 2 | 9B | 141 BPM | ||
Symphony in F Major, Op. 8, "The Cotswolds": I. Allegro con brio | Gustav Holst, Ulster Orchestra, Joann Falletta | F Major | 1 | 7B | 104 BPM | ||
Symphony No. 5 in D Major, Op. 107, MWV N15, "Reformation": III. Andante | Felix Mendelssohn, RTÉ National Symphony Orchestra, Reinhard Seifried | G Minor | 0 | 6A | 96 BPM |
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