"Alpensymphonie, Op.64: Der Anstieg" by Richard Strauss, Staatskapelle Dresden, Giuseppe Sinopoli was released on January 1, 1994. The duration of Alpensymphonie, Op.64: Der Anstieg is about two minutes long, specifically at 2:17. This song does not appear to have any foul language. Alpensymphonie, Op.64: Der Anstieg's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 22 in the song's album "R. Strauss: Eine Alpensinfonie op.64". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Germany. Alpensymphonie, Op.64: Der Anstieg is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Alpensymphonie, Op.64: Der Anstieg by Richard Strauss, Staatskapelle Dresden, Giuseppe Sinopoli having a BPM of 81 with a half-time of 40 BPM and a double-time of 162 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 4 in F Minor Op. 36: II. Andantino in modo di canzona - Piu mosso | Pyotr Ilyich Tchaikovsky, Tokyo Symphony Orchestra, Jonathan Nott | B♭ Minor | 0 | 3A | 131 BPM | ||
Also sprach Zarathustra, Op. 30, TrV 176: Von der großen Sehnsucht | Richard Strauss, Berliner Philharmoniker, Herbert von Karajan | G Major | 1 | 9B | 105 BPM | ||
Violin Concerto in D Minor, Op. 47: II. Adagio di molto | Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn | B♭ Major | 1 | 6B | 173 BPM | ||
Massenet: Don Quichotte, Act 2: Interlude | Jules Massenet, Michel Plasson, Orchestre National Du Capitole De Toulouse | G Minor | 0 | 6A | 78 BPM | ||
St Anthony Variations, Op. 56a "Haydn Variations": Var. 3. Con moto | Johannes Brahms, Staatskapelle Dresden, Claudio Abbado | D Minor | 0 | 7A | 82 BPM | ||
Symphony No.7 in D minor, Op.70: 1. Allegro maestoso | Antonín Dvořák, Cleveland Orchestra, Christoph von Dohnányi | B♭ Major | 1 | 6B | 91 BPM | ||
The Wooden Prince, Sz. 60 (Final Version): V. Second Dance - The Dance of the Trees | Béla Bartók, BBC Scottish Symphony Orchestra, Thomas Dausgaard | F Major | 4 | 7B | 154 BPM | ||
Beethoven: Symphony No. 5 in C Minor, Op. 67: I. Allegro con brio | Ludwig van Beethoven, Wolfgang Sawallisch, Royal Concertgebouw Orchestra | C Minor | 2 | 5A | 90 BPM | ||
Symphony No. 5, Op. 50: IIb. Presto | Carl Nielsen, Danish National Symphony Orchestra, Fabio Luisi | C Major | 1 | 8B | 60 BPM | ||
Glück: I. Andante | Siegfried Wagner, Rundfunk-Sinfonieorchester Frankfurt, Dimitrij Kitajenko | A Minor | 0 | 8A | 86 BPM |
Section: 0.5957670211791992
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