Gottfried Huppertz, Berlin Radio Symphony Orchestra, Frank Strobel made "Metropolis: III. Furioso: Der Aufstand der Arbeiter" available on June 7, 2011. The duration of Metropolis: III. Furioso: Der Aufstand der Arbeiter is about two minutes long, specifically at 2:53. This song does not appear to have any foul language. Metropolis: III. Furioso: Der Aufstand der Arbeiter's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Gottfried Huppertz, Frank Strobel's "Metropolis" album is number 25 out of 32. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Metropolis: III. Furioso: Der Aufstand der Arbeiter's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Metropolis: III. Furioso: Der Aufstand der Arbeiter by Gottfried Huppertz, Berlin Radio Symphony Orchestra, Frank Strobel to be Moderato (at a moderate speed) because the track has a tempo of 120 BPM, a half-time of 60BPM, and a double-time of 240 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Deutsche Messe, D. 872: Zum Offertorium: Du gabst, o Herr, mir Sein und Leben | Franz Schubert, Celina Lindsley, Gabriele Schreckenbach, Werner Hollweg, Walton Grönroos, RIAS Kammerchor, Berlin Radio Symphony Orchestra, Marcus Creed | F Major | 0 | 7B | 76 BPM | ||
Capriccio for Piano and Orchestra: I. Presto | Igor Stravinsky, Alexej Gorlatch, Alondra de la Parra, Berlin Radio Symphony Orchestra | G Minor | 1 | 6A | 136 BPM | ||
Polonaise (From "Vater Sergius") | Rundfunk Sinfonieorchester Berlin, Frank Strobel | G Minor | 0 | 6A | 63 BPM | ||
Ray | Philippe Rombi | C Minor | 0 | 5A | 80 BPM | ||
Mad Max 2: The Road Warrior Theme | Brian May | C Minor | 2 | 5A | 146 BPM | ||
Estancia, Op. 8: Scene 1, El Amanecer - Pegueña danza | Alberto Ginastera, Los Angeles Philharmonic, Gustavo Dudamel, Gustavo Castillo | C Major | 4 | 8B | 144 BPM | ||
Metropolis: II. Zwischenspiel: In Rotwangs Salon | Gottfried Huppertz, Berlin Radio Symphony Orchestra, Frank Strobel | C Minor | 4 | 5A | 122 BPM | ||
Le Corsaire: Pas de Trois - Coda | Riccardo Drigo, English National Ballet Philharmonic, Gavin Sutherland | B♭ Major | 2 | 6B | 146 BPM | ||
Túria (Agua salvaje) | Gabriel Andrés Gallegos, Budapest Art Orchestra | D Minor | 0 | 7A | 144 BPM | ||
Metropolis, Op. 29, Act I "Auftakt": Die Autofahrt | Gottfried Huppertz, Rundfunk Sinfonieorchester Berlin, Frank Strobel | F♯ Major | 0 | 2B | 78 BPM |
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