Gottfried Huppertz, Berlin Radio Symphony Orchestra, Frank Strobel's 'Metropolis: II. Zwischenspiel: In Rotwangs Salon' came out on June 7, 2011. With Metropolis: II. Zwischenspiel: In Rotwangs Salon being less than two minutes long, at 1:42, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Gottfried Huppertz, Frank Strobel's "Metropolis" album is number 20 out of 32. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Metropolis: II. Zwischenspiel: In Rotwangs Salon's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Metropolis: II. Zwischenspiel: In Rotwangs Salon by Gottfried Huppertz, Berlin Radio Symphony Orchestra, Frank Strobel to be Allegro (fast, quick, and bright) because the track has a tempo of 122 BPM, a half-time of 61BPM, and a double-time of 244 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Adams: Nixon in China: Act III - (Beginning) | John Adams, Edo de Waart, Orchestra of St. Luke's | D Minor | 1 | 7A | 129 BPM | ||
The Maltese Falcon | Moscow Symphony Orchestra, Adolph Deutsch, John Morgan | F Major | 1 | 7B | 117 BPM | ||
Blue Dark Waltz | Luis Bacalov | C Major | 0 | 8B | 94 BPM | ||
Mazurka in A minor, Op. 17, No. 4 | Frédéric Chopin, Władysław Szpilman, Andrzej Szpilman | A Minor | 0 | 8A | 60 BPM | ||
Mr. Moustafa | Alexandre Desplat | F Major | 3 | 7B | 150 BPM | ||
Cleared Of All Charges | Alexandre Desplat | C Major | 4 | 8B | 90 BPM | ||
Metropolis: I. Auftakt: Metropolis Thema | Gottfried Huppertz, Berlin Radio Symphony Orchestra, Frank Strobel | E Minor | 4 | 9A | 0 BPM | ||
The Rite of Spring, Part 1: II. The Augurs of Spring - Dances of the Young Girls | Igor Stravinsky, Vasily Petrenko, Royal Liverpool Philharmonic Orchestra | B♭ Major | 3 | 6B | 115 BPM | ||
1962: body building | Philip Glass, Kronos Quartet, Michael Riesman | D Minor | 1 | 7A | 141 BPM | ||
Main Title (From "Rebel Without a Cause") | Leonard Rosenman | E Minor | 1 | 9A | 76 BPM |
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