"Libro secondo: Ricercar del nono tono" by Andrea Gabrieli, Schola Gregoriana Scriptoria, Don Nicola Bellinazo, Roberto Loreggian was released on August 28, 2015. With this song being about 5 minutes long, at 4:53, "Libro secondo: Ricercar del nono tono" by Andrea Gabrieli, Schola Gregoriana Scriptoria, Don Nicola Bellinazo, Roberto Loreggian is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Andrea Gabrieli, Schola Gregoriana Scriptoria, Don Nicola Bellinazo, Roberto Loreggian's "Gabrieli: Complete Keyboard Music" album is number 29 out of 85. On top of that, Netherlands appears to be the country where this track was created. Libro secondo: Ricercar del nono tono is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Libro secondo: Ricercar del nono tono by Andrea Gabrieli, Schola Gregoriana Scriptoria, Don Nicola Bellinazo, Roberto Loreggian to be Adagio (slowly with great expression) because the track has a tempo of 67 BPM, a half-time of 34BPM, and a double-time of 134 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Caro dolce ben mio perche fuggire | Andrea Gabrieli, Bruce Dickey, Stephen Stubbs, Erin Headley, Andrew Lawrence-King | A Minor | 0 | 8A | 62 BPM | ||
Requiem in F Minor, C 8: Ib. Kyrie | Heinrich Ignaz Franz von Biber, Vox Luminis, Freiburger BarockConsort, Lionel Meunier | F Minor | 1 | 4A | 85 BPM | ||
Mass No. 2 in F Major, Hob.XXII:1, "Missa brevis": Sanctus | Joseph Haydn, Trinity Church Choir, New York, Rebel Baroque Orchestra, Owen Burdick | C Major | 3 | 8B | 92 BPM | ||
O crux benedicta | Mignarda | A♭ Minor | 0 | 1A | 90 BPM | ||
Ach bleib bei uns, Herr Jesu Christ | Johann Michael Bach, Vox Luminis, Lionel Meunier, Zsuzsi Tóth, Daniel Elgersma, Philippe Froeliger | B♭ Major | 1 | 6B | 77 BPM | ||
Dances: Ecce quam bonum | Anthony Holborne, Guildhall Waits, Trevor Jones, Consort Of Musicke, Anthony Rooley | C Minor | 0 | 5A | 114 BPM | ||
Františkovi Makovičkovi do usínání | Pavel Jurkovič, Hana Blažíková, Tomáš Král, Kateřina Ghannudi, Hana Fleková | G Major | 1 | 9B | 79 BPM | ||
Missa pro defunctis: VI. Agnus Dei | Charles D'Argentil, Ensemble Gilles Binchois, Dominique Vellard | A Minor | 3 | 8A | 108 BPM | ||
Missa pro defunctis: I. Introit | Charles D'Argentil, Ensemble Gilles Binchois, Dominique Vellard | D Major | 2 | 10B | 129 BPM | ||
La liberazione di Ruggiero dall'isola d'Alcina, Prologue: Biondo Dio del bel Permesso | Francesca Caccini, Francesca Lombardi Mazzulli, Elena Biscuola, Gabriella Martellacci, Mauro Borgioni, Yiannis Vassilakis, Allabastrina, La Pifarescha, Elena Sartori | G Minor | 1 | 6A | 82 BPM |
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