Hans Christian Lumbye, Wilhelm Christian Holm, Aalborg Symphony Orchestra, Peter Ernst Lassen made "La Ventana: Scene 1: The boudoir of a young senorita: Serenade and Spanish Dance" available on January 1, 2005. The duration of La Ventana: Scene 1: The boudoir of a young senorita: Serenade and Spanish Dance is about 3 minutes long, at 3:08. Based on our data, "La Ventana: Scene 1: The boudoir of a young senorita: Serenade and Spanish Dance" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 19 out of 206 in Ballet Music (Music To the Bournonville Ballets) by Aalborg Symphony Orchestra, Peter Ernst Lassen. Going off of the ISRC code of this track, we detected that the origin of this track is from Denmark. Based on our statistics, La Ventana: Scene 1: The boudoir of a young senorita: Serenade and Spanish Dance's popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of La Ventana: Scene 1: The boudoir of a young senorita: Serenade and Spanish Dance by Hans Christian Lumbye, Wilhelm Christian Holm, Aalborg Symphony Orchestra, Peter Ernst Lassen is Allegro (fast, quick, and bright), since this song has a tempo of 138 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Music for the Royal Fireworks, HWV 351: IV. La rejouissance | George Frideric Handel, Le Concert Spirituel, Herve Niquet | D♭ Major | 4 | 3B | 107 BPM | ||
Handel: Water Music, Suite No. 2 in D Major, HWV 349: II. Alla Hornpipe | George Frideric Handel, Sir Neville Marriner, Academy of St. Martin in the Fields | D Major | 2 | 10B | 115 BPM | ||
Vremena Goda (The Seasons), Op. 67: Summer: Waltz of the Cornflowers and the Poppies | Alexander Glazunov, Slovak Radio Symphony Orchestra | D Major | 1 | 10B | 100 BPM | ||
Napoli: Act III: Pas de six: Tempo di Polacca | Hans Christian Lumbye, Holger Simon Paulli, Niels Gade, Edvard Helsted, Signe Madsen, Lars Ole Schmidt, Aalborg Symphony Orchestra, Peter Ernst Lassen | F Major | 2 | 7B | 143 BPM | ||
Fatinitza Marsch | Johann Strauss Orchester | G Major | 4 | 9B | 123 BPM | ||
Jazz Suite No.2: 1. March | Dmitri Shostakovich, Concertgebouworkest, Riccardo Chailly | F Major | 5 | 7B | 119 BPM | ||
Guerra e pace (Film Music Suite): Valzer | Nino Rota, WDR Funkhausorchester Köln, Felix Bender | D Major | 1 | 10B | 132 BPM | ||
Carmen, Opera Suite No. 1: V. Seguedille, Act 1 | London Festival Orchestra Alfred Scholz | D Major | 0 | 10B | 92 BPM | ||
L'Arlésienne Suite No. 1, WD 40: 1. Prélude | Georges Bizet, Orchestre de Paris, Semyon Bychkov | C Minor | 0 | 5A | 71 BPM | ||
Coppélia (Excerpts): No. 20a, Valse des heures | Léo Delibes, Cologne New Philharmonic Orchestra, Volker Hartung | E♭ Major | 1 | 5B | 178 BPM |
Section: 0.7674064636230469
End: 0.7743394374847412