"Sonetto Proemio Dell’Opera. Il Primo Libro de Madrigali a Due, Tre e Cinque Voci Op. 1" by Barbara Strozzi, Dolce Rima was released on 2013. Sonetto Proemio Dell’Opera. Il Primo Libro de Madrigali a Due, Tre e Cinque Voci Op. 1 is about six minutes long, preciously at 5:56, making this song fairly long compared to other songs. There are a total of 13 in the song's album "Saffo Novella. Dúos i àries de soprano i baix continu de Barbara Strozzi (1619-1677)". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Spain. Sonetto Proemio Dell’Opera. Il Primo Libro de Madrigali a Due, Tre e Cinque Voci Op. 1 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Sonetto Proemio Dell’Opera. Il Primo Libro de Madrigali a Due, Tre e Cinque Voci Op. 1 by Barbara Strozzi, Dolce Rima having a BPM of 83 with a half-time of 42 BPM and a double-time of 166 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
A Minor is the music key of this track. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cello Concerto in D Minor, RV 405: I. [Allegro] | Antonio Vivaldi, Anastasia Kobekina, Kammerorchester Basel | F♯ Major | 2 | 2B | 142 BPM | ||
Eia Mater: Andantino | Giovanni Battista Pergolesi, Rinaldo Alessandrini, Gemma Bertagnolli, Concerto Italiano, Sara Mingardo | E Minor | 0 | 9A | 0 BPM | ||
Lauscht ihr Liebenden - 1. Kapitel: La Virtuosissima: Sieg des Gesangs | Barbara Strozzi, Udo Wachtveitl, Wiebke Puls, Thomas Albus, Christoph Jablonka | G Major | 3 | 9B | 107 BPM | ||
Curtio precipitato et altri capricii, Book 2, Op. 13: Canzonetta, "Spirituale sopra la nanna" (arr. for jazz ensemble) | Roberta Mameli, La Venexiana | D Minor | 1 | 7A | 135 BPM | ||
Netti: La Filli, Act 2: "Misero core" (Berillo) | Giovanni Cesare Netti, Jakub Józef Orliński, Il Pomo D'oro | F Major | 2 | 7B | 103 BPM | ||
A Sonata of Scots Tunes: II. Ettrick Banks (Adagio) | James Oswald, La Rêveuse, Florence Bolton, Benjamin Perrot | D♭ Major | 1 | 3B | 95 BPM | ||
Sonata (Adagio) | Nicola Matteis, Gli Incogniti, Amandine Beyer | B Major | 1 | 1B | 53 BPM | ||
Violin Sonata in E Major, Op. 5 No. 11 (Transcr. for Viola da Gamba and Continuo by Teodoro Baù): I. Preludio (Adagio) | Arcangelo Corelli, Teodoro Baù, Andrea Buccarella | D♭ Major | 2 | 3B | 130 BPM | ||
Aria di Cantar Sestine: A Qualunque Animale | Stefano Landi, Musica Sequenza, BURAK, Diana Ramirez | A Major | 2 | 11B | 83 BPM | ||
In solitare arene: "Lo strale di Cupido" | Cataldo Amodei, Cappella Mediterranea, Leonardo García-Alarcón, Mariana Flores | B♭ Minor | 0 | 3A | 110 BPM |
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