"Curtio precipitato et altri capricii, Book 2, Op. 13: Canzonetta, "Spirituale sopra la nanna" (arr. for jazz ensemble)" by Roberta Mameli, La Venexiana was released on October 26, 2010. Since Curtio precipitato et altri capricii, Book 2, Op. 13: Canzonetta, "Spirituale sopra la nanna" (arr. for jazz ensemble) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There is only one song in 'Round M: Monteverdi Meets Jazz, so we believe that "Curtio precipitato et altri capricii, Book 2, Op. 13: Canzonetta, "Spirituale sopra la nanna" (arr. for jazz ensemble)" is a single. Based on our statistics, Curtio precipitato et altri capricii, Book 2, Op. 13: Canzonetta, "Spirituale sopra la nanna" (arr. for jazz ensemble)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Curtio precipitato et altri capricii, Book 2, Op. 13: Canzonetta, "Spirituale sopra la nanna" (arr. for jazz ensemble) by Roberta Mameli, La Venexiana is Allegro (fast, quick, and bright), since this song has a tempo of 135 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Care-charming sleep (Arr. The Dowland Project, Potter) | Robert Johnson, The Dowland Project, John Potter | D Minor | 0 | 7A | 128 BPM | ||
Jesu, dulcis memoria | Henrik Ødegaard, Vox Clamantis, Jaan-Eik Tulve | E Minor | 2 | 9A | 89 BPM | ||
Tanti strali, HWV 197 | George Frideric Handel, Rossana Bertini, Claudio Cavina, La Venexiana | D♭ Major | 1 | 3B | 116 BPM | ||
In darkness let me dwell | John Dowland, Andreas Scholl, Edin Karamazov | E Major | 0 | 12B | 83 BPM | ||
Troisième livre de pièces de clavecin: 18ème ordre, Le tic-toc-choc ou les maillotins - Adapted by Marina Baranova | François Couperin, Marina Baranova | A♭ Major | 0 | 4B | 69 BPM | ||
Psalm 69, Domine ad adjuvandum me: III. Gloria patri. Largo | Federico Maria Sardelli, Modo Antiquo, Roberta Mameli | F♯ Minor | 3 | 11A | 122 BPM | ||
Gluck: Orfeo ed Euridice, Wq. 30, Act 2: "Mille pene" (Orfeo) | Christoph Willibald Gluck, Philippe Jaroussky, Diego Fasolis, I Barocchisti | F♯ Minor | 1 | 11A | 91 BPM | ||
Sartorio: Antonino e Pompeiano, Act 3: "La certezza di sua fede" (Pompeiano) | Antonio Sartorio, Jakub Józef Orliński, Il Pomo D'oro | D Major | 2 | 10B | 127 BPM | ||
Déraisonnable beauté: Chaconne | Rinaldo Alessandrini | B Major | 1 | 1B | 124 BPM | ||
Netti: L'Adamiro, Act 2: "Son vecchia, pazienza" (Crinalba) | Giovanni Cesare Netti, Jakub Józef Orliński, Il Pomo D'oro | F Major | 2 | 7B | 103 BPM |
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