"Bruckner : Prologue" by Anton Bruckner, Kalevi Kiviniemi was released on November 3, 1995. With Bruckner : Prologue being less than two minutes long, at 1:47, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Wedding Organ by Kalevi Kiviniemi. The song's track number on the album is #3 out of 21 tracks. Bruckner : Prologue is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Bruckner : Prologue by Anton Bruckner, Kalevi Kiviniemi has a tempo of 64 beats per a minute, the tempo markings of this song would be Larghetto (rather broadly). With Bruckner : Prologue being at 64 BPM, the half-time would be 32 BPM with a double-time of 128 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
E♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Peer Gynt Suite No.1, Op.46: 2. The Death Of Aase | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | G Major | 0 | 9B | 45 BPM | ||
Mahler: Blumine | Gustav Mahler, San Francisco Symphony, Michael Tilson Thomas | C Major | 1 | 8B | 100 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: III. Allegro energico | Max Bruch, Itzhak Perlman, Bernard Haitink, Concertgebouworkest | G Major | 3 | 9B | 97 BPM | ||
Strauss, R: Also sprach Zarathustra, Op. 30: I. Introduction | Richard Strauss, Wolfgang Sawallisch, Michael Stairs, Philadelphia Orchestra | F Major | 2 | 7B | 91 BPM | ||
Symphony No. 5, Op. 50: IIa. Allegro | Carl Nielsen, Danish National Symphony Orchestra, Fabio Luisi | A Major | 3 | 11B | 104 BPM | ||
Double Concerto for 2 Violins, Op. 49: I. Scherzo: Allegro | Gustav Holst, Janice Graham, Sarah Ewins, English Sinfonia, Howard Griffiths | F Major | 1 | 7B | 88 BPM | ||
Ave Maria, WAB 6 | Anton Bruckner, St. Bride's Church Choir, Fleet Street, Matthew Morley, Robert Jones | D Major | 0 | 10B | 133 BPM | ||
3 Bavarian Dances: No. 1 | Edward Elgar, New Zealand Symphony Orchestra, James Judd | F♯ Minor | 2 | 11A | 145 BPM | ||
Symphony No. 1 in G Minor: III. Scherzo: Allegro non troppo - moderato assai | Vasily Kalinnikov, Ukraine National Symphony Orchestra, Theodore Kuchar | A Minor | 2 | 8A | 110 BPM | ||
Suite No. 3, P. 172: I. Italiana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | B♭ Major | 1 | 6B | 94 BPM |
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