Pablo Sorozábal, Madrid Community Chorus, Madrid Community Orchestra, Miguel Roa's 'Don Manolito: Ensalada madrilena' came out on February 15, 2003. The duration of Don Manolito: Ensalada madrilena is about 3 minutes long, at 3:21. Based on our data, "Don Manolito: Ensalada madrilena" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 15 in the song's album "Preludes and Choruses From Zarzuelas". In this album, this song's track order is #15. Based on our statistics, Don Manolito: Ensalada madrilena's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Don Manolito: Ensalada madrilena by Pablo Sorozábal, Madrid Community Chorus, Madrid Community Orchestra, Miguel Roa having a BPM of 147 with a half-time of 74 BPM and a double-time of 294 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Los gavilanes, Acto II: Amigos, siempre amigos | Ataúlfo Argenta, Coros Cantores De Madrid, José Perera, Orquesta de Cámara de Madrid, Teresa Berganza, Toñy Rosado, Jacinto Guerrero | B♭ Major | 3 | 6B | 135 BPM | ||
Carmina Burana / I. Primo vere: "Ecce gratum" - Live from the Forbidden City | Carl Orff, Wiener Singakademie, Heinz Ferlesch, Shanghai Symphony Orchestra, Long Yu | F Major | 4 | 7B | 149 BPM | ||
Siete canciones populares españolas - orq. Ernesto Halffter: I. El paño moruno | Manuel de Falla, José Ramón Encinar, Orquesta de la Comunidad de Madrid, Ainhoa Arteta | A Minor | 4 | 8A | 129 BPM | ||
Lungi dal caro bene | Giuseppe Sarti, Pumeza Matshikiza, Aarhus Symfoniorkester, Tobias Ringborg | A♭ Major | 1 | 4B | 96 BPM | ||
Cavalleria rusticana: "Voi lo sapete, o mama" (Romanza) | Pietro Mascagni, Fiorenza Cossotto, Maria Gracia Allegri, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan | D Major | 3 | 10B | 108 BPM | ||
Faust: Choeur des soldats | Charles Gounod, Franz Bauer-Theussl, Choeurs de l'Opéra de Vienne, Wilhelm Loibner | A Major | 1 | 11B | 110 BPM | ||
Katiuska - Noche hermosa | Pablo Sorozábal | G Major | 3 | 9B | 85 BPM | ||
Cavalleria rusticana: "Inneggiamo, il Signor non è morto" (Easter Hymn) | Pietro Mascagni, Fiorenza Cossotto, Maria Gracia Allegri, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan, Coro Del Teatro Alla Scala Di Milano | G Major | 3 | 9B | 68 BPM | ||
Gounod : Faust : Act 4 "Alerte! alerte!" [Méphistophélès, Marguerite, Faust, Chorus] | Charles Gounod, Carlo Rizzi, Welsh National Opera Orchestra | C Major | 2 | 8B | 78 BPM | ||
La Wally / Act 1: "Ebben? Ne andrò lontana" | Alfredo Catalani, Angela Gheorghiu, Orchestra del Teatro Regio di Torino, John Mauceri | E Major | 1 | 12B | 87 BPM |
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