On August 11, 2023, the song "28 Variazions on Aria “ I Was Sleeping and Then I Dreamed” for Solo Flute in G Major: Variation 12 (Recomposed by Luca Astolfoni Fossi)" was released by Johann Joachim Quantz, Claudio Ferrarini. With 28 Variazions on Aria “ I Was Sleeping and Then I Dreamed” for Solo Flute in G Major: Variation 12 (Recomposed by Luca Astolfoni Fossi) being less than two minutes long, at 1:32, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Johann Joachim Quantz, Claudio Ferrarini's "Johann Joachim Quantz Recomposed by Luca Astolfoni Fossi: 28 Variazions on Aria “ I Was Sleeping, and Then I Dreamed” for Solo Flute" album is number 13 out of 30. On top of that, Italy appears to be the country where this track was created. 28 Variazions on Aria “ I Was Sleeping and Then I Dreamed” for Solo Flute in G Major: Variation 12 (Recomposed by Luca Astolfoni Fossi) is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of 28 Variazions on Aria “ I Was Sleeping and Then I Dreamed” for Solo Flute in G Major: Variation 12 (Recomposed by Luca Astolfoni Fossi) by Johann Joachim Quantz, Claudio Ferrarini to be Adagio (slowly with great expression) because the track has a tempo of 76 BPM, a half-time of 38BPM, and a double-time of 152 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
8 Violin Sonatas and 4 Concertos, Op. 7, No. 2 in E Minor: II. Allegro | Michele Mascitti, Concerto Italiano, Rinaldo Alessandrini | E♭ Minor | 2 | 2A | 115 BPM | ||
Flute Concerto in A Minor, QV 5:238: I. Allegretto | Johann Joachim Quantz, Mary Oleskiewicz, Concerto Armonico Budapest, Miklós Spányi | G Minor | 2 | 6A | 143 BPM | ||
Pièces de viole, Livre II No. 40: La polonaise | Marin Marais, Vittorio Ghielmi, Luca Pianca | F Major | 5 | 7B | 107 BPM | ||
Intermedes de Xerxes: Bourre pour les Basques | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Major | 1 | 2B | 140 BPM | ||
Amphitryon, Z. 572, "The 2 Sosias": V. Air | Henry Purcell, Andrea Jeffrey, Michelle Kettrick, Nicole Bower, Giles Tomkins, Aradia Ensemble, Kevin Mallon | F♯ Minor | 2 | 11A | 91 BPM | ||
Concerti grossi a quatro e sei strumenti, Op. 7, Libro secondo, Concerto No. 11 in A Minor: I. Largo | Giuseppe Valentini, Ensemble 415, Chiara Banchini, Olivia Centurioni, Odile Edouard, David Plantier, David Courvoisier, Alain Gervreau | A♭ Minor | 1 | 1A | 88 BPM | ||
Macbeth: End of Act 4 – The Earl of Douglas’s Lament | Samuel Arnold, Toronto Chamber Orchestra, Kevin Mallon | B♭ Major | 1 | 6B | 136 BPM | ||
Flute Quartet No. 3 in G Major: III. Spiritoso e allegro | Johann Joachim Quantz, Mary Oleskiewicz, Elizabeth Field, Daniel Elyar, Stephanie Vial, David Schulenberg | C Major | 2 | 8B | 58 BPM | ||
Sinfonia in D Major: III. Scherzando: Allegro | Frederick the Great, Carl Philipp Emanuel Bach Chamber Orchestra, Hartmut Haenchen | D Major | 3 | 10B | 109 BPM | ||
Flute Concerto in A Minor, QV 5:238: II. Arioso ma non troppo | Johann Joachim Quantz, Mary Oleskiewicz, Concerto Armonico Budapest, Miklós Spányi | B♭ Major | 0 | 6B | 92 BPM |
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