Johann Sebastian Bach, Carolyn Sampson, Robin Blaze, Gerd Türk, Peter Kooij, Bach Collegium Japan Chorus, Bach Collegium Japan, Masaaki Suzuki's 'Wie schon leuchtet der Morgenstern, BWV 1: Recitative: Ein ird'scher Glanz, ein leiblich Licht (Bass)' came out on January 1, 2007. With Wie schon leuchtet der Morgenstern, BWV 1: Recitative: Ein ird'scher Glanz, ein leiblich Licht (Bass) being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 4 out of 17 in Bach, J.S.: Cantatas, Vol. 34 - Bwv 1, 126, 127 by Johann Sebastian Bach, Masaaki Suzuki. Wie schon leuchtet der Morgenstern, BWV 1: Recitative: Ein ird'scher Glanz, ein leiblich Licht (Bass) is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Wie schon leuchtet der Morgenstern, BWV 1: Recitative: Ein ird'scher Glanz, ein leiblich Licht (Bass) by Johann Sebastian Bach, Carolyn Sampson, Robin Blaze, Gerd Türk, Peter Kooij, Bach Collegium Japan Chorus, Bach Collegium Japan, Masaaki Suzuki is Lento (slowly), since this song has a tempo of 56 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Du bist die Ruh, Op. 59/3, D. 776 | Franz Schubert, Mischa Maisky, Daria Hovora | E♭ Major | 0 | 5B | 67 BPM | ||
Overture in D Minor, TWV 55:2: Rondeau | Georg Philipp Telemann, Collegium Instrumentale Brugense, Patrick Peire | D Minor | 1 | 7A | 83 BPM | ||
Viola da gamba Sonata in G Minor, BWV 1029 (Arr. for Cello & Piano): III. Allegro | Anonymous, Johann Sebastian Bach, Daniel Müller-Schott, Angela Hewitt | A♭ Major | 0 | 4B | 84 BPM | ||
Bach Orchestral Suite No.2 in B Minor, BWV 1076: I. Ouverture | London Conchord Ensemble, Florian Uhlig | B Minor | 3 | 10A | 121 BPM | ||
Bocherini / Arr Grützmacher: Cello Concerto No. 9 in B-Flat Major, G. 482: II. Adagio non troppo (Arr. Grützmacher) | Luigi Boccherini, Jacqueline du Pré, Daniel Barenboim, English Chamber Orchestra | G Minor | 1 | 6A | 86 BPM | ||
Tafelmusik - Banquet Music In 3 Parts / Production 2 - 3. Concert In F Major, TWV53:A2: 1. Allegro | Georg Philipp Telemann, Musica Antiqua Köln, Reinhard Goebel | E Major | 2 | 12B | 105 BPM | ||
Widmung, Op. 25 No. 1 (Arr. Franz Liszt) | Robert Schumann, Martin James Bartlett | A♭ Major | 0 | 4B | 74 BPM | ||
Carnaval, Op. 9: XII. Chopin | Robert Schumann, Daniil Trifonov | E Major | 0 | 12B | 68 BPM | ||
Piano Sonata No.14 In C Sharp Minor, Op.27 No.2 -"Moonlight": 2. Allegretto | Ludwig van Beethoven, Daniel Barenboim | D♭ Major | 0 | 3B | 68 BPM | ||
Nocturne No.8 In D Flat, Op.27 No.2 - 2005 Recording | Frédéric Chopin, Maurizio Pollini | D♭ Major | 0 | 3B | 56 BPM |
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