London Conchord Ensemble, Florian Uhlig's 'Bach Orchestral Suite No.2 in B Minor, BWV 1076: I. Ouverture' came out on 2010. Since Bach Orchestral Suite No.2 in B Minor, BWV 1076: I. Ouverture is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 1 out of 27 in Bach: Suite No. 2 in B Minor, Concerto in A Major, Concerto in C Minor, Concerto in D Minor, Brandenburg Concertos No. 2, 3 & 4 by London Conchord Ensemble, Florian Uhlig. Based on our statistics, Bach Orchestral Suite No.2 in B Minor, BWV 1076: I. Ouverture's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Bach Orchestral Suite No.2 in B Minor, BWV 1076: I. Ouverture by London Conchord Ensemble, Florian Uhlig is Allegro (fast, quick, and bright), since this song has a tempo of 121 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Septet No. 1 in D Minor, Op. 74: III. Andante con variazioni | Johann Nepomuk Hummel, Dieter Klöcker, Florian Uhlig, Consortium Classicum | G Minor | 0 | 6A | 91 BPM | ||
Haydn: Cello Concerto No. 2 in D Major, Hob. VIIb:2: III. Rondo (Allegro) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | A Major | 1 | 11B | 138 BPM | ||
Bach Concerto in D Minor for Two Violins, BWV 1043: III. Allegro | London Conchord Ensemble, Florian Uhlig | D Minor | 3 | 7A | 99 BPM | ||
Trio Sonata in F Major, HWV 392: IV. Allegro assai | George Frideric Handel, The Brook Street Band | E Major | 4 | 12B | 144 BPM | ||
Trumpet Sonata in D Major, Z. 850: I. Allegro | Henry Purcell, Ede Inhoff, Hungarian State Opera Chamber Orchestra | E♭ Minor | 0 | 2A | 83 BPM | ||
Quartet in G major / Sol majeur / G-dur: II. Vivace - Moderato - Vivace | Georg Philipp Telemann, Freiburger Barockorchester, Petra Mullejans, Gottfried Von Der Goltz | E♭ Minor | 2 | 2A | 115 BPM | ||
Clarinet Quintet in A Major, K. 581: I. Allegro | Wolfgang Amadeus Mozart, David Shifrin, Chamber Music Northwest | A Major | 0 | 11B | 136 BPM | ||
Torelli: Trumpet Concerto in D Major, G. 28 "Estienne Roger": I. Allegro | Giuseppe Torelli, Alison Balsom, Deutsche Kammerphilharmonie Bremen | D Major | 3 | 10B | 102 BPM | ||
Cello Sonata No. 6 in A Major, G. 4*: I. Allegro moderato | Luigi Boccherini, Christian Benda, Sebastian Benda | C Minor | 1 | 5A | 88 BPM | ||
Les Boréades, RCT 31, Acte IV, Scène IV: Entrée pour les Muses, les Zéphyres, les Saisons, les Heures et les Arts | Jean-Philippe Rameau, Teodor Currentzis | D♭ Major | 1 | 3B | 130 BPM |
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