Ludwig van Beethoven, Bruno-Leonardo Gelber's 'Sonata No. 8 in C Minor, Op. 13 ('Grande Sonate Pathétique'): II. Adagio cantabile' came out on January 1, 2009. With this song being about 5 minutes long, at 5:19, "Sonata No. 8 in C Minor, Op. 13 ('Grande Sonate Pathétique'): II. Adagio cantabile" by Ludwig van Beethoven, Bruno-Leonardo Gelber is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 2 out of 12 in Beethoven: Piano Sonatas, Vol. 1 by Ludwig van Beethoven, Bruno-Leonardo Gelber. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Sonata No. 8 in C Minor, Op. 13 ('Grande Sonate Pathétique'): II. Adagio cantabile's popularity is not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.
The tempo marking of Sonata No. 8 in C Minor, Op. 13 ('Grande Sonate Pathétique'): II. Adagio cantabile by Ludwig van Beethoven, Bruno-Leonardo Gelber is Allegro (fast, quick, and bright), since this song has a tempo of 128 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bagatelle No. 25 in a Minor, WoO 59 : "Für Elise" | Rik | D♭ Major | 0 | 3B | 64 BPM | ||
Fantasia On "Greensleeves" | Ralph Vaughan Williams, Robert Haydon Clark, Consort of London | C Minor | 1 | 5A | 86 BPM | ||
Aria | Johann Sebastian Bach, New European Strings Chamber Orchestra | A♭ Major | 1 | 4B | 107 BPM | ||
Kinderscenen, Op. 15: I. Von fremden Landern und Menschen (Of Foreign Lands and People) | Robert Schumann, Evelyne Dubourg | G Major | 0 | 9B | 68 BPM | ||
Rhapsody on a Theme by Paganini, Op. 43: Variation 18. Andante cantabile | Sergei Rachmaninoff, Bella Davidovich, Royal Concertgebouw Orchestra, Neeme Järvi | D♭ Major | 1 | 3B | 70 BPM | ||
La Mer in B Minor: I. "De l'aube à midi sur la mer" (From dawn to midday on the sea) - very slowly | Claude Debussy, Milan Horvat, Vienna Radio Symphony Orchestra | F Major | 1 | 7B | 60 BPM | ||
Grieg: Piano Concerto In A Minor | London Festival Orchestra | A Minor | 1 | 8A | 121 BPM | ||
Carmen, Opera Suite No. 1: III. Intermezzo, Act 3 | London Festival Orchestra Alfred Scholz | E♭ Major | 0 | 5B | 134 BPM | ||
Orchestral Suite No. 3 in D Major, BWV 1068: II. Air "On a G String" (Arr. for Piano) | Johann Sebastian Bach, Lang Lang | D Major | 0 | 10B | 115 BPM | ||
Rondo in D Minor, Wq. 61/4, H. 290 | Carl Philipp Emanuel Bach, Christopher Hinterhuber | B♭ Major | 1 | 6B | 135 BPM |
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