- BPM
- 107
- Key
- A♭ Major
- Camelot
- 4B
Aria - Johann Sebastian Bach, New European Strings Chamber Orchestra Information
- Acousticness
- 99%
- Danceability
- 23%
- Energy
- 5%
- Instrumentalness
- 89%
- Liveness
- 11%
- Loudness
- 56%
- Speechiness
- 4%
- Valence
- 16%
- Popularity
- 13%
- Loudness
- -26.298 dB
Summary
"Aria" by Johann Sebastian Bach, New European Strings Chamber Orchestra was released on May 12, 1995. With this song being around four minutes long, at 3:48, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 1 out of 32 in Bach Goldberg Variations by Dmitry Sitkovetsky. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Aria is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Aria BPM
The tempo marking of Aria by Johann Sebastian Bach, New European Strings Chamber Orchestra is Andante (at a walking pace), since this song has a tempo of 107 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
Aria Key
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Keyboard Sonata in C Major, Kk. 159 | Domenico Scarlatti, Alon Goldstein | C Major | 2 | 8B | 120 BPM | |
 | Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Arabella Steinbacher, Orquestra Gulbenkian, Lawrence Foster | E♭ Major | 0 | 5B | 100 BPM | |
 | Bach, JS: Violin Concerto No. 2 in E Major, BWV 1042: I. Allegro | Johann Sebastian Bach, Anne-Sophie Mutter, Leslie Pearson, Salvatore Accardo, English Chamber Orchestra | A Minor | 3 | 8A | 118 BPM | |
 | Symphony No.5 in D Major: 1. Allegro ma non troppo - Allegro assai | William Boyce, Academy of Ancient Music, Christopher Hogwood | D♭ Major | 2 | 3B | 131 BPM | |
 | Eine Kleine Nachtmusik: Menuetto Allegretto | The Royal Festival Orchestra | D Major | 1 | 10B | 129 BPM | |
 | Chopin: Nocturne No. 4 in F Major, Op. 15 No. 1 | Frédéric Chopin, Elisabeth Leonskaja | F Major | 0 | 7B | 134 BPM | |
 | Kinderszenen, Op. 15, No. 7: Träumerei | Slovak State Philharmonic Orchestra, Christian Ehwald | F Major | 0 | 7B | 75 BPM | |
 | Concerto No. 2 in G Minor, Op. 8 RV 315, "L'estate" (Summer): III. Presto | Emmy Verhey | C Minor | 5 | 5A | 139 BPM | |
 | Savior of the Nations, Come, BWV 659 (Arr. for 4 Cellos) | Johann Sebastian Bach, Sheku Kanneh-Mason, Hannah Roberts, Ben Davies, Max Ruisi | C Major | 0 | 8B | 122 BPM | |
 | Holst: The Planets, Op. 32: IV. Jupiter, the Bringer of Jollity (Excerpt) | Gustav Holst, Philharmonia Orchestra, Sir Simon Rattle | C Minor | 3 | 5A | 127 BPM |
- ISRC
- USNO10200588
- Label
- L-M Records/RCA Records
Section: 0.7041003704071045
End: 0.7075860500335693