Heinrich Ignaz Franz von Biber, Amandine Beyer, Gli Incogniti's 'Mystery (Rosary) Sonata No. 15 in C Major, The Coronation of Mary as Queen of Heaven and Earth: IV. Sarabanda - [Double]' came out on February 17, 2023. The duration of Mystery (Rosary) Sonata No. 15 in C Major, The Coronation of Mary as Queen of Heaven and Earth: IV. Sarabanda - [Double] is about two minutes long, specifically at 2:47. This song does not appear to have any foul language. Mystery (Rosary) Sonata No. 15 in C Major, The Coronation of Mary as Queen of Heaven and Earth: IV. Sarabanda - [Double]'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 20 out of 46 in Biber: Mystery (Rosary) Sonatas by Heinrich Ignaz Franz von Biber, Amandine Beyer, Gli Incogniti. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Mystery (Rosary) Sonata No. 15 in C Major, The Coronation of Mary as Queen of Heaven and Earth: IV. Sarabanda - [Double] is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Mystery (Rosary) Sonata No. 15 in C Major, The Coronation of Mary as Queen of Heaven and Earth: IV. Sarabanda - [Double] by Heinrich Ignaz Franz von Biber, Amandine Beyer, Gli Incogniti is Andante (at a walking pace), since this song has a tempo of 83 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
18 Sonatas in 1, 2, 3 Parts: Sonata No. 2 in D Major | Giovanni Battista Fontana, Daniele Caminiti, Marcin Świątkiewicz, Rachel Podger | D♭ Major | 1 | 3B | 127 BPM | ||
Sonata in G Major for Two Flutes and Basso Continuo, RV 80: II. Larghetto | Antonio Vivaldi, ConSerto Musico, Mario Folena, Roberto Loreggian, Stefania Marusi | E♭ Minor | 0 | 2A | 114 BPM | ||
Te Deum, H. 146: I. Prélude | Marc-Antoine Charpentier, Ensemble les Surprises, Louis-Noël Bestion de Camboulas | C Major | 4 | 8B | 101 BPM | ||
Violin Sonata in E Major, Op. 5 No. 11 (Transcr. for Viola da Gamba and Continuo by Teodoro Baù): II. Allegro | Arcangelo Corelli, Teodoro Baù, Andrea Buccarella | D♭ Major | 4 | 3B | 63 BPM | ||
Canzona terza a canto solo "detta la Donatina" | Girolamo Frescobaldi, Bruno Cocset, Les Basses Réunies | C Major | 1 | 8B | 77 BPM | ||
Les Éléments: IV. Ramage : L’Air | Jean-Féry Rebel, Jordi Savall, Le Concert Des Nations | D♭ Major | 0 | 3B | 80 BPM | ||
Missa Dolorosa: IV. Sanctus | Antonio Caldara, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM | ||
Mystery (Rosary) Sonata No. 5, "The 12-Year-Old Jesus in the Temple": IV. Saraban | Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen, Battalia | A♭ Major | 0 | 4B | 164 BPM | ||
Sonata I in B Minor, HWV 386, Op. 2 No. 1: III. Largo | George Frideric Handel, Academy of Ancient Music, Richard Egarr | F♯ Minor | 2 | 11A | 92 BPM | ||
Concerto a violono e viola da gamba in C Minor, GraunWV A:XIII:3: III. Allegro | Johann Gottlieb Graun, Ensemble Baroque De Limoges, Christophe Coin, Gilles Colliard | B Minor | 2 | 10A | 120 BPM |
Section: 0.5550639629364014
End: 0.5583851337432861