"Ligeti: String Quartet No. 1, "Métamorphoses Nocturnes": No. 1, Section 1 (Allegro grazioso)" by György Ligeti, Artemis Quartet was released on October 3, 2005. With Ligeti: String Quartet No. 1, "Métamorphoses Nocturnes": No. 1, Section 1 (Allegro grazioso) being less than two minutes long, at 1:34, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in György Ligeti, Artemis Quartet's "Ligeti: String Quartet Nos 1 & 2" album is number 1 out of 17. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Ligeti: String Quartet No. 1, "Métamorphoses Nocturnes": No. 1, Section 1 (Allegro grazioso) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Ligeti: String Quartet No. 1, "Métamorphoses Nocturnes": No. 1, Section 1 (Allegro grazioso) by György Ligeti, Artemis Quartet to be Andante (at a walking pace) because the track has a tempo of 95 BPM, a half-time of 48BPM, and a double-time of 190 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Apartment House 1776: Harmony No. 2, Mansfield | John Cage, Arditti Quartet | F Major | 0 | 7B | 173 BPM | ||
Apartment House 1776: Harmony No. 1, Cookfield | John Cage, Arditti Quartet | G Major | 0 | 9B | 104 BPM | ||
String Quartet in G Minor, Op. 10, L. 85: 1. Animé et très décidé | Claude Debussy, Melos Quartet | B♭ Major | 1 | 6B | 131 BPM | ||
String Quartet in G Minor, Op. 10, L. 85: I. Animé et très décidé | Claude Debussy, Juilliard String Quartet | G Minor | 2 | 6A | 72 BPM | ||
Synthesis | Selena Ivanova | D Major | 0 | 10B | 98 BPM | ||
Turangalîla Symphonie: 1. Introduction | Olivier Messiaen, Yvonne Loriod, Jeanne Loriod, Orchestre de l'Opéra Bastille, Myung-Whun Chung | E♭ Minor | 4 | 2A | 143 BPM | ||
Umi e (Toward the Sea): III - Cape Cod | Toru Takemitsu, Robert Aitken, Toronto New Music Ensemble | A♭ Major | 0 | 4B | 73 BPM | ||
String Quartet in F Major: III. Tres Lent | Maurice Ravel, Cavani Quartet | D♭ Major | 0 | 3B | 88 BPM | ||
Quatuor pour la fin du Temps: VI. Danse de la fureur, pour les sept trompettes | Olivier Messiaen, Martin Fröst | D♭ Major | 2 | 3B | 107 BPM | ||
Schoenberg - 4 Pieces from 6 Kleine Klavierstucke, Op. 19: No. 1. Leicht zart | Hans Abrahamsen, Arnold Schoenberg, BIT20 Ensemble, Ilan Volkov | B♭ Minor | 0 | 3A | 90 BPM |
Section: 0.6371159553527832
End: 0.6427640914916992