"Julie: Act I, Scene 9" by Philippe Boesmans, Chamber Orchestra of La Monnaie, Garry Magee, Malena Ernman, Kerstin Avemo, Kazushi Ono was released on October 1, 2009. With Julie: Act I, Scene 9 being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 9 out of 12 in Boesmans: Julie - Opera in One Act by Philippe Boesmans, Chamber Orchestra of La Monnaie, Garry Magee, Malena Ernman, Kerstin Avemo, Kazushi Ono. Going off of the ISRC code of this track, we detected that the origin of this track is from Belgium. Julie: Act I, Scene 9 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Julie: Act I, Scene 9 by Philippe Boesmans, Chamber Orchestra of La Monnaie, Garry Magee, Malena Ernman, Kerstin Avemo, Kazushi Ono is Adagio (slowly with great expression), since this song has a tempo of 70 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pinocchio: Ouverture | Philippe Boesmans, Orchestre Symphonique De La Monnaie, Patrick Davin | D Major | 1 | 10B | 77 BPM | ||
A Child of our Time, Part I: How can I cherish my man in such days...? (Soprano) | Michael Tippett, Pumeza Matshikiza, BBC Symphony Orchestra, Andrew Davis | E Minor | 1 | 9A | 141 BPM | ||
Puts: The Hours, Act 2: "All Along?" (Clarissa, Laura, Virginia) [Live] | Kevin Puts, Yannick Nézet-Séguin, Joyce DiDonato, Kelli O'Hara, Renée Fleming, Metropolitan Opera Orchestra | A Major | 1 | 11B | 79 BPM | ||
Litanies à la Vierge noire, FP 82 | Francis Poulenc, Ensemble Aedes, Louis-Noël Bestion de Camboulas, Mathieu Romano | A Major | 1 | 11B | 81 BPM | ||
Pierrot lunaire, Op. 21: No. 3, Le dandy - Version française | Arnold Schoenberg, Ensemble Op.Cit, Guillaume Bourgogne, Jessica Martin Maresco | A Major | 1 | 11B | 140 BPM | ||
String Quartet No. 1 in A Minor, Op. 41 No. 1: III. Adagio | Robert Schumann, Quatuor Hanson | E♭ Major | 4 | 5B | 109 BPM | ||
La Tragédie de Salomé, Op. 50: I. Prélude | Florent Schmitt, Frankfurt Radio Symphony Orchestra, Alain Altinoglu | F Major | 1 | 7B | 82 BPM | ||
The Wave of the Surging Thoughts: III. Song Without Words. Passion and Emotion | Daqun Jia, Jakub Haufa, Sinfonia Varsovia, Michał Klauza | F Major | 2 | 7B | 166 BPM | ||
Puts: The Hours, Act 1: "We Need Four Cups" (Laura, Richie, Chorus, Nelly, Virginia) [Live] | Kevin Puts, Yannick Nézet-Séguin, Eve Gigliotti, Joyce DiDonato, Kai Edgar, Kelli O'Hara, Metropolitan Opera Chorus, Metropolitan Opera Orchestra | A Major | 1 | 11B | 79 BPM | ||
Mégalithes, Version 3: II. 5-2 - III. 97 | Gérard Grisey, Brynjar Kolbergsrud, Anne Marit Harbek, Benjamin Setsaas, Abel Pérez Armas, Thomas Gimse, Erlend Tynning Larsen, Nicolai Heuer, Marie Nøkleby Hanssen, Runa Eid Hermansen, Halvor Ovenstrøm, Erlend Aagaard-Nilsen, Jørgen Arnesen, Marie Solum Gran, Ingebjørg Bruket, Berger Iver Færder, Halldis Rønning | A Minor | 1 | 8A | 122 BPM |
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