"In Mia Man Alfin Tu Sei" by Maria Callas, Mario Filippeschi (Pollione) was released on September 8, 2010. Since In Mia Man Alfin Tu Sei is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 15 in the song's album "The Best Of Norma - The Opera Masters Series". In this album, this song's track order is #13. In Mia Man Alfin Tu Sei is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With In Mia Man Alfin Tu Sei by Maria Callas, Mario Filippeschi (Pollione) having a BPM of 80 with a half-time of 40 BPM and a double-time of 160 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rachmaninov: 14 Romances, Op. 34: No. 14, Vocalise | Sergei Rachmaninoff, Natalie Dessay, Michael Schønwandt, Berliner Sinfonieorchester | F♯ Minor | 2 | 11A | 84 BPM | ||
Cublai, gran Khan dei Tartari: Fra i barbari sospetti (Alzima) | Antonio Salieri, Diana Damrau, Jérémie Rhorer, Le Cercle De L'Harmonie | G Major | 2 | 9B | 128 BPM | ||
La Bohème / Act 1: "O soave fanciulla" | Giacomo Puccini, Joseph Calleja, Aleksandra Kurzak, Orchestre de la Suisse Romande, Marco Armiliato | C Major | 2 | 8B | 123 BPM | ||
Il barbiere di Siviglia / Act 1: "Largo al factotum" | Gioachino Rossini, Leo Nucci, Orchestra del Teatro Comunale di Bologna, Giuseppe Patanè | G Major | 2 | 9B | 69 BPM | ||
Madame Butterfly, 1. Akt: Vogliatemi bene (Mona Lisa): Madama Butterfly, Act II: Un bel di, vedremo | Giacomo Puccini, Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan | B Minor | 1 | 10A | 91 BPM | ||
Les Contes d'Hoffmann / Act 2: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Dame Joan Sutherland, Huguette Tourangeau, Chorus Pro Arte Lausanne Du Brassus, Radio Suisse Romande Chorus, Orchestre de la Suisse Romande, Richard Bonynge | D Major | 1 | 10B | 82 BPM | ||
La Traviata - Act. Iii - Addio Del Passato | Renata Scotto | A Minor | 1 | 8A | 72 BPM | ||
L'Heure exquise | Reynaldo Hahn, Susan Graham | D♭ Major | 0 | 3B | 79 BPM | ||
Los Pescadores de Perlas "Mi Par D'udir Ancora" | Alfredo Kraus | D Major | 2 | 10B | 168 BPM | ||
Nabucco: Anch'io dischiuso | Maria Callas, Oliviero de Fabritiis, Orchestra of RAI, Torino | G Major | 1 | 9B | 85 BPM |
Section: 0.7008495330810547
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