"Lohengrin, Act III: "Treulich geführt ziehet dahin - Das süße Lied verhallt"" by Hannelore Kuhse, Martin Ritzmann, Chor der Deutschen Staatsoper Berlin, Staatskapelle Berlin, Otmar Suitner was released on 1974. With this song being about 5 minutes long, at 4:39, "Lohengrin, Act III: "Treulich geführt ziehet dahin - Das süße Lied verhallt"" by Hannelore Kuhse, Martin Ritzmann, Chor der Deutschen Staatsoper Berlin, Staatskapelle Berlin, Otmar Suitner is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Wagner: Lohengrin (Highlights) by Staatskapelle Berlin, Chor der Deutschen Staatsoper Berlin, Otmar Suitner. The song's track number on the album is #7 out of 8 tracks. Lohengrin, Act III: "Treulich geführt ziehet dahin - Das süße Lied verhallt" is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Lohengrin, Act III: "Treulich geführt ziehet dahin - Das süße Lied verhallt" by Hannelore Kuhse, Martin Ritzmann, Chor der Deutschen Staatsoper Berlin, Staatskapelle Berlin, Otmar Suitner has a tempo of 78 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Lohengrin, Act III: "Treulich geführt ziehet dahin - Das süße Lied verhallt" being at 78 BPM, the half-time would be 39 BPM with a double-time of 156 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Wesendonck Lieder, WWV 91 (Arr. Fontanelli for Voice and Ensemble): No. 4, Schmerzen | Richard Wagner, Kathrin Zukowski, KammerMusikKöln | E♭ Major | 1 | 5B | 69 BPM | ||
5 Gedichte fur eine Frauenstimme, Op. 91, "Wesendonck-Lieder": No. 3. Im Treibhaus (In the Hothouse) | Richard Wagner, Václav Neumann, Leipzig Gewandhaus Orchestra, Hannelore Kuhse | G Major | 2 | 9B | 106 BPM | ||
Mefistofele: Prologue - Scherzo instrumentale - Appearance of Mefistofele | Arrigo Boito, Riccardo Muti | F Major | 1 | 7B | 82 BPM | ||
Iphigénie en Tauride, Wq. 46 (Excerpts): Les Dieux longtemps en courroux | Christoph Willibald Gluck, Munich Radio Orchestra, Lamberto Gardelli, Bavarian Radio Chorus | C Major | 2 | 8B | 86 BPM | ||
Il barbiere di Siviglia / Act 1: "Una voce poco fa" - "Sì, sì, la vincerò" (Rosina / Rosina, Figaro, Bartolo, Basilio) | Gioachino Rossini, Gianna D'Angelo, Renato Capecchi, Giorgio Tadeo, Carlo Cava, Bavarian Radio Symphony Orchestra, Bruno Bartoletti | F Major | 1 | 7B | 133 BPM | ||
Die Tänzerin Fanny Elssler: Draußen in Sievering (Act 2) | Johann Strauss II, Lucia Popp, Academy of St. Martin in the Fields, Sir Neville Marriner | A Major | 1 | 11B | 79 BPM | ||
Hänsel und Gretel: "Abends will ich schlafen gehn" | Engelbert Humperdinck, Brigitte Fassbaender, Lucia Popp, Wiener Philharmoniker, Sir Georg Solti | D Major | 1 | 10B | 84 BPM | ||
Lohengrin: Act I - "Einsam in trüben Tagen" | Staatskapelle Berlin, Chor der Deutschen Staatsoper Berlin, Otmar Suitner, Theo Adam, Hannelore Kuhse | A♭ Major | 2 | 4B | 75 BPM | ||
Elias, Op. 70: Part I: Rufet lauter! Denn er ist ja Gott! (No. 12 Rec. with Chorus) | Felix Mendelssohn, Karl-Friedrich Beringer | D Major | 3 | 10B | 100 BPM | ||
La Tempestad, Acto II: Llegad, Llegad, Venid, Venid (Introducción y Coro) - Remastered | Ruperto Chapí, Miguel Ramos Carrión, Gregorio Gil, Ataúlfo Argenta, Jose Perera, Orquesta De Camara De Madrid | G Major | 2 | 9B | 104 BPM |
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