"Symphony No.7 in E major: Excerpt of 2nd movement" by Anton Bruckner, Berliner Philharmoniker, Wilhelm Furtwängler was released on January 1, 2002. With this song being around four minutes long, at 4:05, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 11 in the song's album "Taking Sides - Original Motion Picture Soundtrack". In this album, this song's track order is #10. In terms of popularity, Symphony No.7 in E major: Excerpt of 2nd movement is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Symphony No.7 in E major: Excerpt of 2nd movement by Anton Bruckner, Berliner Philharmoniker, Wilhelm Furtwängler having a BPM of 94 with a half-time of 47 BPM and a double-time of 188 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
D♭ Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Don Carlo / Act 2: Preludio | Giuseppe Verdi, Berliner Philharmoniker, Claudio Abbado | C Major | 0 | 8B | 100 BPM | ||
Concerto Grosso in D Minor, Op. 6, No. 10, HWV 328: 3. Air (Lento) - Live | George Frideric Handel, Berliner Philharmoniker, Wilhelm Furtwängler | C Major | 3 | 8B | 119 BPM | ||
Persischer Marsch, Op.289 | Johann Strauss II, Berliner Philharmoniker, Herbert von Karajan | G Minor | 2 | 6A | 207 BPM | ||
Brahms: Symphony No. 4 in E Minor, Op. 98: III. Allegro giocoso | Johannes Brahms, Berliner Philharmoniker, Sir Simon Rattle | C Major | 2 | 8B | 118 BPM | ||
Wilhelm Furtwängler spricht über Musik: Besetzungsfragen, Instrumentaltechnik, Ausdruck, Melodik und Legato | Wilhelm Furtwängler | C Minor | 4 | 5A | 131 BPM | ||
Symphonie fantastique, Op. 14: II. Un bal | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | A Major | 1 | 11B | 107 BPM | ||
Das Rheingold, WWV 86A / Vierte Szene: "Nun blinzle nach Freias Blick" | Richard Wagner, Josephine Veasey, Gerhard Stolze, Dietrich Fischer-Dieskau, Robert Kerns, Karl Ridderbusch, Berliner Philharmoniker, Herbert von Karajan | F Major | 1 | 7B | 81 BPM | ||
Die Walküre, WWV 86B / Erster Akt: "Wes Herd dies auch sei, hier muss ich rasten" | Richard Wagner, Gundula Janowitz, Jon Vickers, Berliner Philharmoniker, Herbert von Karajan | B♭ Major | 0 | 6B | 88 BPM | ||
Le nozze di Figaro - Overture | Berliner Philharmoniker, Wilhelm Furtwängler | D Major | 2 | 10B | 72 BPM | ||
Fantasie in G Major, WAB 118 | Anton Bruckner, Ana-Marija Markovina | A Minor | 1 | 8A | 120 BPM |
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