- BPM
- 120
- Key
- A Minor
- Camelot
- 8A
Fantasie in G Major, WAB 118 - Anton Bruckner, Ana-Marija Markovina Information
- Acousticness
- 99%
- Danceability
- 32%
- Energy
- 5%
- Instrumentalness
- 87%
- Liveness
- 6%
- Loudness
- 41%
- Speechiness
- 5%
- Valence
- 28%
- Popularity
- 17%
- Loudness
- -35.25 dB
Summary
Anton Bruckner, Ana-Marija Markovina's 'Fantasie in G Major, WAB 118' came out on August 3, 2018. With this song being around four minutes long, at 4:29, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 31 out of 32 in Bruckner: Piano Works by Anton Bruckner, Ana-Marija Markovina, Rudolf Meister. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Fantasie in G Major, WAB 118's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Fantasie in G Major, WAB 118 BPM
The tempo marking of Fantasie in G Major, WAB 118 by Anton Bruckner, Ana-Marija Markovina is Moderato (at a moderate speed), since this song has a tempo of 120 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
Fantasie in G Major, WAB 118 Key
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Symphony No. 1 in B Flat Major, Op. 38 "Spring": III. Scherzo. Molto vivace | Robert Schumann, Staatskapelle Berlin, Daniel Barenboim | A♭ Major | 0 | 4B | 88 BPM | |
 | Keyboard Sonata in C Major, Wq. 54/2, H. 205: III. Allegro | Carl Philipp Emanuel Bach, Ana-Marija Markovina | C Major | 1 | 8B | 108 BPM | |
 | Piano Concerto No. 2 in D Minor, Op. 40, MWV O11: II. Adagio. Molto sostenuto | Felix Mendelssohn, Jan Lisiecki, Orpheus Chamber Orchestra | B♭ Major | 0 | 6B | 76 BPM | |
 | Allegro molto in C Minor | Fanny Mendelssohn, Heather Schmidt | F Minor | 2 | 4A | 79 BPM | |
 | Cello Sonata No. 1 in E Minor, Op. 38: III. Allegro - Più presto | Johannes Brahms, Mischa Maisky, Pavel Gililov | G Major | 0 | 9B | 72 BPM | |
 | Keyboard Sonata in E Major, Kk. 135 (L. 224): Allegro | Domenico Scarlatti, Ivo Pogorelich | E Major | 1 | 12B | 181 BPM | |
 | Kinderszenen, Op.15: 10. Fast zu ernst | Robert Schumann, Martha Argerich | A♭ Minor | 0 | 1A | 67 BPM | |
 | 6 Bagatelles for Piano, Op. 97: Humoristischer Marsch, No. 4 | Jean Sibelius, Leif Ove Andsnes | A Minor | 1 | 8A | 132 BPM | |
 | Piano Sonata No. 4 in A minor, D.537: I. Allegro ma non troppo | Franz Schubert, Daniel Barenboim | F Major | 1 | 7B | 121 BPM | |
 | Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: II. Adagio (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | F Major | 1 | 7B | 124 BPM |
- ISRC
- DEAD61705431
- Label
- L-M Records/RCA Records
Section: 1.0370078086853027
End: 1.0419344902038574