"Mercadante: La vestale, Act 2: "Se fino al cielo ascendere" (Giunia)" by Saverio Mercadante, Joyce DiDonato, Orchestre De L'Opéra National De Lyon, Riccardo Minasi was released on August 29, 2014. With this song being around four minutes long, at 4:23, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 10 in the song's album "Stella di Napoli". In this album, this song's track order is #5. Based on our statistics, Mercadante: La vestale, Act 2: "Se fino al cielo ascendere" (Giunia)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Mercadante: La vestale, Act 2: "Se fino al cielo ascendere" (Giunia) by Saverio Mercadante, Joyce DiDonato, Orchestre De L'Opéra National De Lyon, Riccardo Minasi having a BPM of 127 with a half-time of 64 BPM and a double-time of 254 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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莫札特,薩爾茲堡嬉遊曲,作品 Kv 136,快板 | 台北愛樂管弦樂團, 亨利梅哲 | A♭ Major | 1 | 4B | 103 BPM | ||
Symphony in D Major, G. 500: IV. Presto | Luigi Boccherini, German Chamber Academy Neuss, Johannes Goritzki | D Major | 3 | 10B | 91 BPM | ||
Harp Concerto: II. Adagio | Johann Georg Albrechtsberger, Andrea Vigh, Budapest Strings, Karoly Botvay | G Major | 0 | 9B | 107 BPM | ||
Le 7 ultime parole (Le tre ore d'agonia) di Nostro Signore: First Word: Di mille colpe reo' (Soprano) | Saverio Mercadante, Maria Paola Turchetta, Elisabetta Viri, Marcos Pavan, Carlos de Miranda, Laudis Cantores, I, Massimo Scapin | F Major | 2 | 7B | 82 BPM | ||
Francesca da Rimini, Act II: Act II: Fra queste volte oscure | Saverio Mercadante, Larisa Martinez, Ivan Ayon Rivas, Transylvania State Philharmonic Choir, Orchestra Internazionale D'Italia, Fabio Luisi | C Major | 2 | 8B | 122 BPM | ||
Symphony No. 6 in E Major, Wq. 182: I. Allegro di molto | Carl Philipp Emanuel Bach, Orchestra Of The 18th Century, Alexander Janiczek | E♭ Major | 3 | 5B | 126 BPM | ||
Haydn: Mass in D Minor, Hob. XXII:11 "Nelson Mass": Kyrie | Joseph Haydn, Sir Neville Marriner, Hansjürgen Scholze, Margaret Marshall, MDR Leipzig Radio Chorus, Staatskapelle Dresden | G Minor | 3 | 6A | 115 BPM | ||
Der Fischer und das Milchmädchen: VII. Allegretto galante | Giacomo Meyerbeer, Czech Philharmonic Chamber Orchestra, Dario Salvi | D Major | 1 | 10B | 77 BPM | ||
Concerti Grossi, Op. 7: No. 6 in B-Flat Major, Op 7: V. Affettuoso - Studio Recording | Francesco Geminiani, I Musici | B♭ Minor | 2 | 3A | 114 BPM | ||
La Molinarella: Symphony | Niccolò Piccinni, International Symphony Orchestra, Silvano Frontalini | D Major | 0 | 10B | 95 BPM |
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