"Canzonets to 2 Voyces, Book 1: No. 4. I goe before, my darling" by Thomas Morley, Lamentabile Consort was released on May 1, 2012. With Canzonets to 2 Voyces, Book 1: No. 4. I goe before, my darling being less than two minutes long, at 1:19, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Lamentabile Consort's "Music from the Renaissance" album is number 4 out of 18. On top of that, Sweden appears to be the country where this track was created. The popularity of Canzonets to 2 Voyces, Book 1: No. 4. I goe before, my darling is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Canzonets to 2 Voyces, Book 1: No. 4. I goe before, my darling by Thomas Morley, Lamentabile Consort to be Vivace (lively and fast) because the track has a tempo of 175 BPM, a half-time of 88BPM, and a double-time of 350 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
A Song of Mr Robert Parsons | Robert Parsons, Catherine King, The Rose Consort Of Viols | A♭ Minor | 0 | 1A | 92 BPM | ||
Missa Quadragesimalis, MH 552: Agnus Dei | Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi | A♭ Minor | 1 | 1A | 0 BPM | ||
Canzon seconda | Giovanni Gabrieli, Flanders Recorder Quartet | A♭ Major | 0 | 4B | 66 BPM | ||
Mit Fried und Freud ich fahr dahin, BuxWV 76 | Dietrich Buxtehude, Anima Eterna, Collegium Vocale, Jos Van Immerseel | D Minor | 1 | 7A | 56 BPM | ||
The Lamentations of Jeremiah the Prophet. Lamentations for Holy Wednesday, ZWV 203: No. 3, Lamentatio III. Gregorian Chant | Jan Dismas Zelenka, Tomáš Král, Collegium Marianum | D♭ Major | 0 | 3B | 131 BPM | ||
Den haghel ende | Jacob Obrecht, Concerto Palatino | B♭ Major | 0 | 6B | 151 BPM | ||
La mi la Sol | Heinrich Isaac, Dorothee Mields, Boreas Quartett Bremen | E♭ Minor | 0 | 2A | 75 BPM | ||
Ricercar (69) | Francesco da Milano, Christopher Wilson | G Minor | 0 | 6A | 63 BPM | ||
It was a lover and his lasse | Thomas Morley, Barbara Bonney, Jacob Heringman | E Major | 0 | 12B | 125 BPM | ||
Sing We and Chant It | Thomas Morley, Trinity Baroque, Julian Podger | G Major | 3 | 9B | 95 BPM |
Section: 0.7111425399780273
End: 0.7144649028778076