"Le tombeau de Couperin (version for orchestra): No. 2. Forlane" by Maurice Ravel, Orchestre National De Lyon, Leonard Slatkin was released on November 5, 2013. With this song being about 5 minutes long, at 5:21, "Le tombeau de Couperin (version for orchestra): No. 2. Forlane" by Maurice Ravel, Orchestre National De Lyon, Leonard Slatkin is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 16 in the song's album "Ravel: Orchestral Works, Vol. 2". In this album, this song's track order is #13. Furthermore, we believe that the track originated from Hong Kong. The popularity of Le tombeau de Couperin (version for orchestra): No. 2. Forlane is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Le tombeau de Couperin (version for orchestra): No. 2. Forlane by Maurice Ravel, Orchestre National De Lyon, Leonard Slatkin having a BPM of 171 with a half-time of 86 BPM and a double-time of 342 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto in G Major, M. 83: 3. Presto | Maurice Ravel, Martha Argerich, Berliner Philharmoniker, Claudio Abbado | C Major | 4 | 8B | 81 BPM | ||
Piano Concerto No.1 In G Minor, Op.25, MWV O7: 3. Presto | Felix Mendelssohn, Jean-Yves Thibaudet, Gewandhausorchester, Herbert Blomstedt | G Major | 2 | 9B | 97 BPM | ||
Pictures at an Exhibition (Orch. Ravel): VIIIb. Cum mortuis in lingua mortua | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | F♯ Major | 0 | 2B | 69 BPM | ||
Fantaisie, Op.79 (Orch. Louis Aubert) | Gabriel Fauré, William Bennett, Academy of St. Martin in the Fields, Sir Neville Marriner | C Major | 1 | 8B | 128 BPM | ||
Piece en forme de habanera (arr. N. Mercz): Vocalise-etude en forme de habanera | Nora Mercz, Maurice Ravel, Janos Balint | G Minor | 0 | 6A | 70 BPM | ||
Piano Trio No. 2 in E Minor, Op. 67: II. Allegro con brio | Dmitri Shostakovich, Emanuel Ax, Isaac Stern, Yo-Yo Ma | D♭ Major | 3 | 3B | 141 BPM | ||
Raymonda, Op. 57: Act II - Variation I | Alexander Glazunov, Moscow Symphony Orchestra, Alexander Anissimov | D♭ Major | 0 | 3B | 83 BPM | ||
String Quartet in D Minor, Op. posth. D.810 "Death and the Maiden": III. Scherzo. Allegro molto | Franz Schubert, Jerusalem Quartet | A Major | 1 | 11B | 139 BPM | ||
Benvenuto Cellini, Op. 23: Overture | Hector Berlioz, Orchestre National De Lyon, Leonard Slatkin | A♭ Major | 3 | 4B | 141 BPM | ||
Liebesbotschaft, S. 560/10 from Schwanengesang | Franz Liszt, Arcadi Volodos | G Major | 0 | 9B | 62 BPM |
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