Marin Marais, François Joubert-Caillet, L'Achéron made "[Suite en sol majeur]: IV. Gigue la precieuse (No. 77)" available on June 9, 2023. With [Suite en sol majeur]: IV. Gigue la precieuse (No. 77) being less than two minutes long, at 1:49, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Marin Marais, François Joubert-Caillet, L'Achéron's "Marais: Cinquième livre de pièces de viole" album is number 4 out of 112. On top of that, Belgium appears to be the country where this track was created. [Suite en sol majeur]: IV. Gigue la precieuse (No. 77) is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of [Suite en sol majeur]: IV. Gigue la precieuse (No. 77) by Marin Marais, François Joubert-Caillet, L'Achéron to be Adagio (slowly with great expression) because the track has a tempo of 76 BPM, a half-time of 38BPM, and a double-time of 152 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Folias echa para mi Señora Doña Tarolilla de Carallenos | Andrea Falconieri, London Baroque | B Major | 3 | 1B | 78 BPM | ||
Sonate, arie et correnti, Op. 3: No. 5, La Bergamasca | Marco Uccellini, Nicholas McGegan, The Arcadian Academy | A♭ Major | 2 | 4B | 80 BPM | ||
Concerto in A Minor for Flute and Strings: II. Gavotte I & II (Tendrement) | Michel Blavet, Dorothee Oberlinger | A♭ Minor | 1 | 1A | 116 BPM | ||
Entrée - Air pour les Paysans et Paysanes | Jean-Baptiste Lully, Andrew Lawrence-King | C Major | 0 | 8B | 68 BPM | ||
Faronell's Division | John Playford, Jordi Savall, Hespèrion XXI | C Major | 1 | 8B | 145 BPM | ||
Sonata Op.5, No.10: Sarabanda | Arcangelo Corelli, Stephen Stubbs, Maxine Eilander, Erin Headley, Milos Valent | D♭ Minor | 0 | 12A | 86 BPM | ||
A Sonata of Scots Tunes: II. Ettrick Banks (Adagio) | James Oswald, La Rêveuse, Florence Bolton, Benjamin Perrot | D♭ Major | 1 | 3B | 95 BPM | ||
Se l'aura spira tutta vezzosa, F7.15 | Girolamo Frescobaldi, Clematis, Leonardo García-Alarcón, Mariana Flores | G Minor | 1 | 6A | 176 BPM | ||
In nomine: Rachell’s Weepinge | Christopher Tye, The Spirit of Gambo, Freek Borstlap | D♭ Minor | 0 | 12A | 81 BPM | ||
Les Folies d'Espagne (Transcribed for Cello & Harpsichord) | Marin Marais, Anastasia Kobekina, Emmanuel Arakélian | D Minor | 2 | 7A | 182 BPM |
Section: 0.6195499897003174
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