Frédéric Chopin, Alexandre Tharaud's '3 Waltzes, Op. 34, "Grandes valses brillantes": Waltz No. 3 in F Major' came out on July 31, 2007. The duration of 3 Waltzes, Op. 34, "Grandes valses brillantes": Waltz No. 3 in F Major is about two minutes long, specifically at 2:18. This song does not appear to have any foul language. 3 Waltzes, Op. 34, "Grandes valses brillantes": Waltz No. 3 in F Major's duration is considered a little bit shorter than the average duration of a typical track. The song is number 3 out of 20 in Chopin: Intégrale des valses by Frédéric Chopin, Alexandre Tharaud. Going off of the ISRC code of this track, we detected that the origin of this track is from France. 3 Waltzes, Op. 34, "Grandes valses brillantes": Waltz No. 3 in F Major is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 3 Waltzes, Op. 34, "Grandes valses brillantes": Waltz No. 3 in F Major by Frédéric Chopin, Alexandre Tharaud is Andante (at a walking pace), since this song has a tempo of 86 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lieder ohne Worte, Op. 53: 1. Andante con moto | Felix Mendelssohn, András Schiff | A♭ Major | 1 | 4B | 75 BPM | ||
Bist du bei mir (Formerly Attrib. J.S. Bach as BWV 508, Notebook for Anna Magdalena Bach, 1725) | Gottfried Heinrich Stölzel, Daniil Trifonov | E♭ Major | 0 | 5B | 133 BPM | ||
Nocturne No. 8 in A Major | John Field, Benjamin Frith | A Major | 0 | 11B | 64 BPM | ||
Études-tableaux, Op. 39: No. 2, Lento assai | Sergei Rachmaninoff, Boris Giltburg | A Minor | 0 | 8A | 65 BPM | ||
Etudes-Tableaux, Op. 33, No. 4 in D Minor | Hélène Grimaud | D Minor | 2 | 7A | 94 BPM | ||
Busoni: 10 Chorale Preludes, BV B 27: V. Ich ruf' zu dir, Herr Jesu Christ (After No. 40 from J . S. Bach's "Orgelbüchlein", BWV 639) | Johann Sebastian Bach, Leif Ove Andsnes | F Minor | 0 | 4A | 63 BPM | ||
Sonata No. 42 in D Minor (Arr. Ólafsson) | Domenico Cimarosa, Víkingur Ólafsson | D Minor | 0 | 7A | 61 BPM | ||
Mazurka in C Minor | Mikhail Glinka, Evgeny Soifertis | C Minor | 0 | 5A | 103 BPM | ||
Keyboard Sonata in D Minor, Kk. 1 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 1 | 7A | 107 BPM | ||
Pièces Lyriques, Op. 47 No. 3: Mélodie | Edvard Grieg, Shani Diluka | F Major | 0 | 7B | 105 BPM |
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