"La Tabernera del Puerto: Romanza de Leandro" by Pablo Sorozábal, Plácido Domingo, Maria Bayo, Orquesta Sinfonica De Tenerife, Antonio Ros Marbà was released on January 1, 1996. The duration of La Tabernera del Puerto: Romanza de Leandro is about two minutes long, specifically at 2:50. This song does not appear to have any foul language. La Tabernera del Puerto: Romanza de Leandro's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Viva la Zarzuela ! by Maria Bayo. The song's track number on the album is #5 out of 17 tracks. La Tabernera del Puerto: Romanza de Leandro is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since La Tabernera del Puerto: Romanza de Leandro by Pablo Sorozábal, Plácido Domingo, Maria Bayo, Orquesta Sinfonica De Tenerife, Antonio Ros Marbà has a tempo of 89 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With La Tabernera del Puerto: Romanza de Leandro being at 89 BPM, the half-time would be 44 BPM with a double-time of 178 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 3/4.
This song has a musical key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cuentos de los Bosques de Viena | Gran Orquesta Vienesa | B♭ Major | 3 | 6B | 178 BPM | ||
Capote de Grana y Oro (Pasodoble) | Real Orquesta Sinfónica de Sevilla, Spanish Folklore | D Minor | 3 | 7A | 106 BPM | ||
Tosca | Renata Tebaldi, Chorus and Orchestra of the Accademia di Santa Cecilia, Rome, Francesco Molinari-Pradelli | D Major | 2 | 10B | 112 BPM | ||
Katiuska: Cosacos de kazán | Pablo Sorozábal | C Major | 6 | 8B | 143 BPM | ||
Les Contes d'Hoffmann (1989 Digital Remaster), Act III: Entr'acte et Barcarolle: Belle nuit, ô nuit d'amour (Une voix/Giulietta/Choeurs) | Jacques Offenbach, Nicolai Gedda, Elisabeth Schwarzkopf, Victoria de los Ángeles, Gianna D'Angelo, Christiane Gayraud, Robert Geay, Jean-Pierre Laffage, Jean Christophe Benoit, Michel Sénéchal, Ernest Blanc, George London, Nicola Ghiuselev, André Mallabrera, Renée Faure, Jacques Pruvost, André Cluytens, Orchestre De La Société Des Concerts Du Conservatoire | D Major | 1 | 10B | 90 BPM | ||
Los gavilanes, Acto II: Amigos, siempre amigos | Ataúlfo Argenta, Coros Cantores De Madrid, José Perera, Orquesta de Cámara de Madrid, Teresa Berganza, Toñy Rosado, Jacinto Guerrero | B♭ Major | 3 | 6B | 135 BPM | ||
Don Giovanni, K. 527, Act I: Dalla sua pace | Wolfgang Amadeus Mozart, Cesare Valletti, Arturo Basile, Orchestra Sinfonica Di Torino Della Rai | B♭ Major | 1 | 6B | 112 BPM | ||
Mefistofele: Giunto sul passo estremo | Arrigo Boito, Roberto Alagna, London Philharmonic Orchestra, Richard Armstrong | A♭ Major | 1 | 4B | 76 BPM | ||
La del manojo de rosas: Hace tiempo que vengo al taller | Pablo Sorozábal | E Minor | 4 | 9A | 69 BPM | ||
Notturno d'amore | Mario del Monaco | D Major | 2 | 10B | 93 BPM |
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