Johannes Brahms, Chicago Symphony Orchestra, Daniel Barenboim's 'Hungarian Dance No.3 in F - Orchestrated by Brahms: Allegretto' came out on January 1, 1987. The duration of Hungarian Dance No.3 in F - Orchestrated by Brahms: Allegretto is about two minutes long, specifically at 2:32. This song does not appear to have any foul language. Hungarian Dance No.3 in F - Orchestrated by Brahms: Allegretto's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 8 in the song's album "Smetana: The Moldau / Dvorák: Slavonic Dances / Brahms: Hungarian Dances / Borodin: Polovtsian Dances / Liszt: Les Préludes". In this album, this song's track order is #5. Based on our statistics, Hungarian Dance No.3 in F - Orchestrated by Brahms: Allegretto's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Hungarian Dance No.3 in F - Orchestrated by Brahms: Allegretto by Johannes Brahms, Chicago Symphony Orchestra, Daniel Barenboim having a BPM of 137 with a half-time of 68 BPM and a double-time of 274 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pictures at an Exhibition (Orch. Ravel): X. The Great Gate of Kiev | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | E♭ Major | 2 | 5B | 69 BPM | ||
Violin Concerto in D Minor, Op. 47: II. Adagio di molto | Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn | B♭ Major | 1 | 6B | 173 BPM | ||
Symphony No.2: 2. Allegro risoluto | Aram Khachaturian, Wiener Philharmoniker | A♭ Major | 3 | 4B | 101 BPM | ||
8 Slavonic Dances, Op.46: No.8 in G minor (Presto) | Antonín Dvořák, Chicago Symphony Orchestra, Daniel Barenboim | G Major | 2 | 9B | 131 BPM | ||
Violin Sonata No. 3 in D Minor, Op. 108: Allegro | Johannes Brahms, Ilya Kaler, Alexander Peskanov | D Minor | 1 | 7A | 87 BPM | ||
21 Hungarian Dances, WoO 1 (Arr. for Violin & Piano): No. 2 in D Minor | Joseph Joachim, Johannes Brahms, Baiba Skride, Lauma Skride | D Minor | 2 | 7A | 158 BPM | ||
Puccini : Crisantemi | Giacomo Puccini, The Helsinki Strings, Csaba Szilvay, Géza Szilvay | F♯ Minor | 1 | 11A | 85 BPM | ||
Symphonie fantastique, Op. 14, H 48: 5c. Songe d'une nuit du Sabbat - Ronde du Sabbat | Hector Berlioz, Chicago Symphony Orchestra, Claudio Abbado | G Major | 4 | 9B | 123 BPM | ||
Pictures At An Exhibition: Promenade I | Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini | F Major | 1 | 7B | 79 BPM | ||
Nocturne No. 5 in F-Sharp Minor, Op. 15 No. 2 | Frédéric Chopin, Daniel Barenboim | F♯ Major | 0 | 2B | 127 BPM |
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