"Giuseppe Tornatore Suite: Main Theme from "A Pure Formality" - Remembering (Ricordare)" by Ennio Morricone, Yo-Yo Ma, Roma Sinfonietta was released on 2004. With this song being around four minutes long, at 3:48, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Yo-Yo Ma Plays Ennio Morricone (Remastered) by Ennio Morricone, Yo-Yo Ma. The song's track number on the album is #7 out of 19 tracks. Giuseppe Tornatore Suite: Main Theme from "A Pure Formality" - Remembering (Ricordare) is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Giuseppe Tornatore Suite: Main Theme from "A Pure Formality" - Remembering (Ricordare) by Ennio Morricone, Yo-Yo Ma, Roma Sinfonietta has a tempo of 87 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Giuseppe Tornatore Suite: Main Theme from "A Pure Formality" - Remembering (Ricordare) being at 87 BPM, the half-time would be 44 BPM with a double-time of 174 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
D♭ Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Kol Nidrei, Op. 47 | Max Bruch, Jan Vogler, Helmut Branny | D Major | 1 | 10B | 136 BPM | ||
Clair de Lune, L.75 (Arr. For Oboe & Orchestra) | Claude Debussy, Albrecht Mayer, Academy of St. Martin in the Fields, Mathias Mönius | D♭ Major | 2 | 3B | 80 BPM | ||
Concerto Magna Carta: III. Intense and energetic | John Brunning, Xuefei Yang, Royal Liverpool Philharmonic Orchestra, Clark Rundell | E Minor | 1 | 9A | 126 BPM | ||
Fantasía para un Gentilhombre: IIa. Españoleta | Joaquín Rodrigo, Julian Bream, Leo Brouwer, RCA Victor Chamber Orchestra | A Minor | 0 | 8A | 88 BPM | ||
Gypsy Songs, Op. 55: IV. Songs My Mother Taught Me | Antonín Dvořák, Lucienne Renaudin Vary, Bill Elliott, BBC Concert Orchestra | A Minor | 1 | 8A | 95 BPM | ||
Sonata in D Minor, K. 9 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 0 | 7A | 94 BPM | ||
Unaccompanied Cello Suite No. 3 in C Major, BWV 1009: V. Bourrées I & II | Johann Sebastian Bach, Yo-Yo Ma | G Major | 0 | 9B | 116 BPM | ||
Pachelbel: Canon and Gigue for Three Violins and Continuo in D Major: Canon | Johann Pachelbel, János Rolla, Franz Liszt Chamber Orchestra | E Minor | 4 | 9A | 172 BPM | ||
Rimsky-Korsakov: Scheherazade, Op. 35: II. The Kalendar Prince (Excerpt) | Nikolai Rimsky-Korsakov, Riccardo Muti, Philadelphia Orchestra | B Minor | 0 | 10A | 146 BPM | ||
Nocturne No. 1 in E Flat Major, H.24 | John Field, Elizabeth Joy Roe | E♭ Major | 0 | 5B | 75 BPM |
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