"Gypsy Songs, Op. 55: IV. Songs My Mother Taught Me" by Antonín Dvořák, Lucienne Renaudin Vary, Bill Elliott, BBC Concert Orchestra was released on October 4, 2019. The duration of Gypsy Songs, Op. 55: IV. Songs My Mother Taught Me is about two minutes long, specifically at 2:06. This song does not appear to have any foul language. Gypsy Songs, Op. 55: IV. Songs My Mother Taught Me's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Lucienne Renaudin Vary, Bill Elliot, BBC Concert Orchestra's "Mademoiselle in New York" album is number 12 out of 14. In terms of popularity, Gypsy Songs, Op. 55: IV. Songs My Mother Taught Me is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Gypsy Songs, Op. 55: IV. Songs My Mother Taught Me by Antonín Dvořák, Lucienne Renaudin Vary, Bill Elliott, BBC Concert Orchestra to be Andante (at a walking pace) because the track has a tempo of 95 BPM, a half-time of 48BPM, and a double-time of 190 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Salut d'amour, Op. 12 | Edward Elgar, Jan Vogler, Helmut Branny | E Major | 1 | 12B | 84 BPM | ||
Concerto Per Oboe, Archi E Continuo In Re Minore: II. Adagio | Alessandro Marcello, Venice Baroque Orchestra | D♭ Minor | 0 | 12A | 79 BPM | ||
Desplat: Girl with a Pearl Earring | Alexandre Desplat, Emmanuel Pahud, Orchestre National De France | D Minor | 2 | 7A | 81 BPM | ||
String Quintet in A Minor, Op. 1, B. 7: II. Lento | Antonín Dvořák, Ladislav Kyselák, Vlach Quartet Prague | A Minor | 1 | 8A | 82 BPM | ||
Elgar: Salut d' Amour, Op. 12 | Edward Elgar, Min Kym | E Major | 1 | 12B | 86 BPM | ||
The Well-Tempered Clavier: Book 1, BWV 846-869: I. Prelude in C Major, BWV 846 | Lang Lang | C Major | 1 | 8B | 134 BPM | ||
Rodgers / Transc. Lehn: The Sound of Music: My Favourite Things (Transc. Lehn for Orchestra) | Richard Rodgers, Lucienne Renaudin Vary, Roberto Rizzi Brignoli, Orchestre National de Lille | C Major | 3 | 8B | 173 BPM | ||
Piano Concerto No. 5 in E-Flat Major, Op. 73 "Emperor": II. Adagio un poco mosso | Ludwig van Beethoven, Glenn Gould, Leopold Stokowski, American Symphony Orchestra | B Major | 0 | 1B | 61 BPM | ||
Symphony No. 8 in G Major, Op. 88, B. 163: III. Allegretto grazioso - Molto vivace | Antonín Dvořák, Los Angeles Philharmonic, Gustavo Dudamel | C Major | 1 | 8B | 127 BPM | ||
Les Contes d'Hoffmann / Act 4: Entr'acte (Barcarolle) | Jacques Offenbach, Staatskapelle Dresden, Silvio Varviso | D Major | 0 | 10B | 121 BPM |
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