"The Miraculous Mandarin, BB 82, Sz. 73 (Op. 19): Moderato: First Decoy Game" by Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez was released on January 1, 1996. With this song being around four minutes long, at 3:44, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 2 out of 15 in Bartók: The Miraculous Mandarin by Béla Bartók, Chicago Symphony Chorus, Chicago Symphony Orchestra, Duain Wolfe, Pierre Boulez. The Miraculous Mandarin, BB 82, Sz. 73 (Op. 19): Moderato: First Decoy Game is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of The Miraculous Mandarin, BB 82, Sz. 73 (Op. 19): Moderato: First Decoy Game by Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez is Adagio (slowly with great expression), since this song has a tempo of 74 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
F Minor is the music key of this track. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Schoenberg: 6 Little Piano Pieces Op. 19: No. 3 Sehr langsame Viertel | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra | B♭ Major | 0 | 6B | 70 BPM | ||
Piano Concerto No. 2, BB 101, Sz. 95: I. Allegro | Béla Bartók, Géza Anda, Deutsches Symphonie-Orchester Berlin, Ferenc Fricsay | C Major | 5 | 8B | 98 BPM | ||
Symphonies For Wind Instruments | Igor Stravinsky, Berliner Philharmoniker, Pierre Boulez | B Minor | 0 | 10A | 131 BPM | ||
Academic Festival Overture, Op. 80 | Johannes Brahms, Chicago Symphony Orchestra, Sir Georg Solti | C Major | 2 | 8B | 73 BPM | ||
Symphony No. 39 in E flat, K.543: 2. Andante con moto | Wolfgang Amadeus Mozart, Chicago Symphony Orchestra, Sir Georg Solti | A♭ Major | 0 | 4B | 91 BPM | ||
Tchaikovsky: Symphony No. 6 in B Minor, Op. 74 "Pathétique": III. Allegro molto vivace | Pyotr Ilyich Tchaikovsky, Mstislav Rostropovich, London Philharmonic Orchestra | E Minor | 1 | 9A | 137 BPM | ||
La Damnation de Faust, Op. 24, H 111 / Pt. 4: Scène 15. Romance. "D'amour l'ardente flamme" | Hector Berlioz, Frederica von Stade, Chicago Symphony Chorus, Chicago Symphony Orchestra, Sir Georg Solti | F Major | 0 | 7B | 108 BPM | ||
Schoenberg: Verklärte Nacht, Op. 4: V. Adagio, molto tranquilo | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston | E Minor | 1 | 9A | 125 BPM | ||
Don Quixote, Op. 35: Introduction | Richard Strauss, Fritz Reiner, Antonio Janigro, Milton Preves, John Weicher | G Minor | 1 | 6A | 65 BPM | ||
Symphony No. 5 in D Minor, Op. 47: II. Allegretto | Dmitri Shostakovich, Gianandrea Noseda, London Symphony Orchestra | C Major | 1 | 8B | 138 BPM |
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