"Marina: Act I: Pensar en el (Marina)" by Pascual Emilio Arrieta, Mercedes Capsir, Hipolito Lazaro, Jose Mardones, Marcos Redondo, Alvaro Mont, Studio Chorus, Grand Orchestra, Daniel Montorio was released on January 4, 2011. Since Marina: Act I: Pensar en el (Marina) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 4 out of 18 in Arrieta: Marina (1929) by Pascual Emilio Arrieta, Daniel Montorio. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Marina: Act I: Pensar en el (Marina)'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Marina: Act I: Pensar en el (Marina) by Pascual Emilio Arrieta, Mercedes Capsir, Hipolito Lazaro, Jose Mardones, Marcos Redondo, Alvaro Mont, Studio Chorus, Grand Orchestra, Daniel Montorio is Allegro (fast, quick, and bright), since this song has a tempo of 135 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 5/4.
This song has a musical key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Finestra che lucevi | Vincenzo Bellini, Zambrelli Mario, Stefano Secco | A Minor | 4 | 8A | 83 BPM | ||
26 Welsh Songs, WoO 155: No. 25, The Parting Kiss | Ludwig van Beethoven, Gerald Finley, Nicola Benedetti, Sheku Kanneh-Mason, Benjamin Grosvenor | E♭ Major | 1 | 5B | 99 BPM | ||
La hija del proscrito | Emilio Arrieta, Juan Federico Muntadas, Rinaldo Zhok, Sofía Esparza | E♭ Major | 1 | 5B | 97 BPM | ||
The Wolf's Trail (Vlčí stopa) | Leoš Janáček, Cappella Amsterdam, Daniel Reuss, Philip Mayers | E Major | 1 | 12B | 94 BPM | ||
Madame Butterfly, 1. Akt: Vogliatemi bene (Mona Lisa): Act I: Amore e grillo | Giacomo Puccini, Jozef Abel, Nelly Boschkowa, Miriam Gauci, Helena Hanzelova, Vladimir Kubovcik, Alžbeta Michálková, Yordy Ramiro, Jozef Spacek, Maria Stahelova, Robert Szücs, Georg Tichy, Ana Tomkovicova, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Alexander Rahbari | B♭ Major | 1 | 6B | 232 BPM | ||
Marina, Act III, Scene 3: Escena - Terceto de Marina, Jorge y Roque (Roque, Jorge, Marina) | Emilio Arrieta, Juan Pons, Victor Pablo Pérez, Orquesta Sinfonica De Tenerife, Alfredo Kraus, Maria Bayo | E Major | 2 | 12B | 78 BPM | ||
Petite messe solennelle: VI. Gloria. Gratias | Gioachino Rossini, Giulio Prandi, José Maria Lo Monaco, Edgardo Rocha, Christian Senn, Francesco Corti | A Minor | 0 | 8A | 144 BPM | ||
Ariettes oubliées, CD 63, L. 60 (Arr. for Orchestra by Brett Dean): V. Green | Claude Debussy, Jaime Martin, Siobhan Stagg, Melbourne Symphony Orchestra | F♯ Major | 1 | 2B | 89 BPM | ||
Strauss, R: 5 Lieder, Op. 48: No. 4, Winterweihe | Richard Strauss, Sabine Devieilhe, Mathieu Pordoy | G Minor | 0 | 6A | 82 BPM | ||
Norma, Act II: Cedi! Deh, cedi! (Critical Ed. Maurizio Biondi and Riccardo Minasi) - Edit | Vincenzo Bellini, Sumi Jo, Cecilia Bartoli, Orchestra La Scintilla, Giovanni Antonini | D Major | 2 | 10B | 131 BPM |
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