Franz Lehár, Das Wiener Staatsopernorchester, Rudolf Moralt, Waldemar Kmentt, Harald Pröglhöf's 'Giuditta, Scene 1: Auftrittslied. "Freunde, das Leben ist lebenswert" (Octavio, Antonio)' came out on September 5, 2014. The duration of Giuditta, Scene 1: Auftrittslied. "Freunde, das Leben ist lebenswert" (Octavio, Antonio) is about 3 minutes long, at 3:01. Based on our data, "Giuditta, Scene 1: Auftrittslied. "Freunde, das Leben ist lebenswert" (Octavio, Antonio)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Franz Lehár, Das Wiener Staatsopernorchester, Rudolf Moralt, Hilde Gueden, Waldemar Kmentt's "Lehár: Giuditta" album is number 4 out of 25. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Giuditta, Scene 1: Auftrittslied. "Freunde, das Leben ist lebenswert" (Octavio, Antonio)'s popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Giuditta, Scene 1: Auftrittslied. "Freunde, das Leben ist lebenswert" (Octavio, Antonio) by Franz Lehár, Das Wiener Staatsopernorchester, Rudolf Moralt, Waldemar Kmentt, Harald Pröglhöf to be Moderato (at a moderate speed) because the track has a tempo of 120 BPM, a half-time of 60BPM, and a double-time of 240 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Vesperae solennes de confessore in C, K.339: 5. Laudate Dominum omnes gentes (Ps. 116/117) | Wolfgang Amadeus Mozart, Kiri Te Kanawa, St. Paul's Cathedral Choir, English Chamber Orchestra, Barry Rose | F Major | 0 | 7B | 78 BPM | ||
Tre giorni son che Nina | Giovanni Battista Pergolesi, Carlo Bergonzi, Felix Lavilla | G Major | 1 | 9B | 133 BPM | ||
Gaite Parisienne (after J. Offenbach): 6. Allegro | Manuel Rosenthal, Monte-Carlo Philharmonic Orchestra | E Major | 2 | 12B | 144 BPM | ||
Faust: Faust, Act I: Cavatina: Avant de quitter ces lieux | Charles Gounod, Peter Mattei, Royal Stockholm Philharmonic Orchestra, Lawrence Renes | E♭ Major | 1 | 5B | 104 BPM | ||
Das Land des Lächelns, Act II: Schinthien wuoneb ju chom ma goa can | Franz Lehár, Kölner Rundfunkorchester, Franz Marszalek | D Major | 2 | 10B | 82 BPM | ||
Julius Caesar, HWV 17, Act III Scene 1: Flow, my tears (Cleopatra) | George Frideric Handel, Sir Charles Mackerras, English National Opera Orchestra, Valerie Masterson | E Major | 0 | 12B | 72 BPM | ||
Carmina Burana / III. Cour d'amours: "In trutina" | Carl Orff, Gundula Janowitz, Orchester der Deutschen Oper Berlin, Eugen Jochum | G Major | 0 | 9B | 89 BPM | ||
Der Bettelstudent - operetta in 3 Acts: Ach, er hat sie ja nur auf die Schulter geküßt | Carl Millöcker, Ingeborg Hallstein, Sandor Konya, Willy Schneider, Chor, Grosses Operetten Orchester, Franz Marszalek | E Major | 4 | 12B | 75 BPM | ||
Ich hab kein Geld, bin vogelfrei | Rudolf Schock | D♭ Major | 3 | 3B | 65 BPM | ||
Jazz Suite No. 2: I. March | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | F Major | 4 | 7B | 116 BPM |
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