Atys, Prologue: Ritournelle - Jean-Baptiste Lully, Agnes Mellon, Guy De Mey, Arlette Steyer, Monique Zanetti, Bernard Deletré, Les Arts Florissants, William Christie Information

Acousticness: 97%
Danceability: 35%
Energy: 13%
Instrumentalness: 0%
Liveness: 32%
Loudness: 69%
Speechiness: 5%
Valence: 22%
Popularity: 5%
Loudness: -18.553 dB

Summary

Jean-Baptiste Lully, Agnes Mellon, Guy De Mey, Arlette Steyer, Monique Zanetti, Bernard Deletré, Les Arts Florissants, William Christie's 'Atys, Prologue: Ritournelle' came out on February 28, 1987. The duration of Atys, Prologue: Ritournelle is about two minutes long, specifically at 2:48. This song does not appear to have any foul language. Atys, Prologue: Ritournelle's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Jean-Baptiste Lully, Les Arts Florissants, William Christie's "Lully: Atys" album is number 8 out of 74. Atys, Prologue: Ritournelle is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Atys, Prologue: Ritournelle BPM

We consider the tempo marking of Atys, Prologue: Ritournelle by Jean-Baptiste Lully, Agnes Mellon, Guy De Mey, Arlette Steyer, Monique Zanetti, Bernard Deletré, Les Arts Florissants, William Christie to be Adagio (slowly with great expression) because the track has a tempo of 74 BPM, a half-time of 37BPM, and a double-time of 148 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.

Atys, Prologue: Ritournelle Key

This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Concerto Grosso In D Major, Op. 6, No. 1 : IV. Allegro	Arcangelo Corelli, Anna Holbling, Daniela Ruso, Quido Holbling, Ludovit Kanta, Capella Istropolitana	D Major	3	10B	129 BPM
Balletto à 3 in G Major, Op. 3 No. 3: I. Preludio. Largo	Tomaso Albinoni, London Baroque	F♯ Major	2	2B	105 BPM
Concerto Grosso in F Major, Op. 3, No. 1: I. Allegro assai: Adagio	Francesco Onofrio Manfredini, Capella Istropolitana, Jaroslav Krcek	C Major	3	8B	114 BPM
Trio Sonata No. 1 in A Minor: II. Fuga	William Boyce, Simon Standage, Collegium Musicum 90	A♭ Minor	1	1A	81 BPM
Les plaisirs: 2e Entree	Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon	B Minor	1	10A	79 BPM
Le Bourgeois Gentilhomme: 1er menuet	Jean-Baptiste Lully, La Simphonie Du Marais, Hugo Reyne, Renaud Tripathi, Francois-Nicolas Geslot	A Major	2	11B	69 BPM
Intermedes de Xerxes: Bourre pour les Basques	Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon	F♯ Major	1	2B	140 BPM
Musiche sacre: No. 23, Canzon à 3	Francesco Cavalli, London Baroque	A♭ Minor	1	1A	122 BPM
Le bourgeois gentilhomme, LWV 43, Act V Final scene: Le Ballet des Nations. Ah ! qu'il fait beau dans ces bocages (Deux musiciens Poitevins)	Jean-Baptiste Lully, Vincent Dumestre, Le Poème Harmonique, Zachary Wilder, Cyril Auvity	B♭ Major	5	6B	92 BPM
Oboe Concerto in D Minor, Op. 9, No. 2: III. Allegro	Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis	D Minor	3	7A	101 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.6175851821899414

End: 0.6232094764709473