"La Belle et la Bête - Arr. for Piano duet: VIII. Le pavillon" by Philip Glass, Katia Labèque, Marielle Labèque was released on February 23, 2024. The duration of La Belle et la Bête - Arr. for Piano duet: VIII. Le pavillon is about two minutes long, specifically at 2:07. This song does not appear to have any foul language. La Belle et la Bête - Arr. for Piano duet: VIII. Le pavillon's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Philip Glass, Katia Labèque, Marielle Labèque's "Glass: Cocteau Trilogy" album is number 18 out of 30. On top of that, Italy appears to be the country where this track was created. Based on our statistics, La Belle et la Bête - Arr. for Piano duet: VIII. Le pavillon's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of La Belle et la Bête - Arr. for Piano duet: VIII. Le pavillon by Philip Glass, Katia Labèque, Marielle Labèque to be Allegro (fast, quick, and bright) because the track has a tempo of 133 BPM, a half-time of 66BPM, and a double-time of 266 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
24 Preludes, Op. 11: No. 21 in B-Flat Major | Alexander Scriabin, Evgeny Zarafiants | G Major | 0 | 9B | 141 BPM | ||
Schumann: Waldszenen, Op. 82: No. 1, Entritt | Robert Schumann, Michel Dalberto | B♭ Major | 0 | 6B | 60 BPM | ||
Rondo in G Minor, Op. 94, B. 171 (Arr. P. Breiner for Piano) | Antonín Dvořák, Peter Breiner | A Major | 2 | 11B | 137 BPM | ||
3 Preludi Sopra Melodie Gregoriane, P. 131: I. Molto Lento | Ottorino Respighi, Konstantin Scherbakov | A♭ Minor | 0 | 1A | 70 BPM | ||
Fantasy And Fugue in G Minor, BWV 542: I. Fantasy | Johann Sebastian Bach, Franz Liszt, Artur Pizarro | G Major | 1 | 9B | 67 BPM | ||
24 Préludes, Op. 28: Prelude No. 4 in E Minor | Katia Labèque | E Minor | 0 | 9A | 73 BPM | ||
7 Variations on an original theme, Op. 9, J. 55: Variation 2 | Carl Maria von Weber, Michael Endres | F Major | 0 | 7B | 70 BPM | ||
8 Pieces for Piano, Op. 72: No. 4, Danse Characteristique | Pyotr Ilyich Tchaikovsky, Manuel del Corral | F Major | 0 | 7B | 111 BPM | ||
Chromatic Fantasia and Fugue in D Minor BWV. 903: Fantasia - Duo-Art 7316 | Johann Sebastian Bach, Harold Bauer, Peter Phillips | G Minor | 1 | 6A | 92 BPM | ||
Orpheus' Lament & Dance of the Blessed Spirits (Arr. Kempff) | Christoph Willibald Gluck, Angela Hewitt | A Major | 2 | 11B | 143 BPM |
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