Le Corsaire: Act II - "19. Scene: Fight: Medora Stabs Birbanto" - Evergreen Symphony Orchestra, Kevin Galiè, Anna-Marie Holmes Information

Acousticness: 99%
Danceability: 45%
Energy: 4%
Instrumentalness: 99%
Liveness: 18%
Loudness: 55%
Speechiness: 3%
Valence: 24%
Popularity: 0%
Loudness: -26.755 dB

Summary

Evergreen Symphony Orchestra, Kevin Galiè, Anna-Marie Holmes's 'Le Corsaire: Act II - "19. Scene: Fight: Medora Stabs Birbanto"' came out on October 14, 2011. With Le Corsaire: Act II - "19. Scene: Fight: Medora Stabs Birbanto" being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Evergreen Symphony Orchestra, Anna-Marie Holmes, Kevin Galiè's "Le Corsaire - A Ballet in Three Acts" album is number 19 out of 70. Based on our statistics, Le Corsaire: Act II - "19. Scene: Fight: Medora Stabs Birbanto"'s popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

Le Corsaire: Act II - "19. Scene: Fight: Medora Stabs Birbanto" BPM

We consider the tempo marking of Le Corsaire: Act II - "19. Scene: Fight: Medora Stabs Birbanto" by Evergreen Symphony Orchestra, Kevin Galiè, Anna-Marie Holmes to be Allegro (fast, quick, and bright) because the track has a tempo of 131 BPM, a half-time of 66BPM, and a double-time of 262 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.

Le Corsaire: Act II - "19. Scene: Fight: Medora Stabs Birbanto" Key

B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Symphony No. 3 in D Minor, Op. 41: IV. Finale. Allegro	Franz Paul Lachner, Evergreen Symphony Orchestra, Gernot Schmalfuss	F Major	3	7B	136 BPM
Sinfonia in E-Flat Major, "con Eco": IV. Presto ma non tanto	Theodor, Freiherr von Schacht, Evergreen Symphony Orchestra, Gernot Schmalfuss	B Minor	2	10A	113 BPM
Don Quixote: Act IV: Basilio's Variation	Ludwig Minkus, Sofia National Opera Orchestra, Boris Spassov	C Major	2	8B	177 BPM
Coppelia: Act III - Valse des heures	Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia	E♭ Major	0	5B	119 BPM
Cinderella, Op.87: 13. Summer Fairy	Sergei Prokofiev, Cleveland Orchestra, Vladimir Ashkenazy	F Major	1	7B	74 BPM
Giselle / Act 2: Grand pas de deux: Adage	Adolphe Adam, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge	E♭ Major	0	5B	73 BPM
La Fille Mal Gardee: Pas de (arr. March): Act II: Tempo di valse: Men's Variation	March, Peter Ludwig Hertel, Sofia National Opera Orchestra, Boris Spassov	G Major	1	9B	88 BPM
Romeo and Juliet, Op. 64 (Excerpts): The Balcony Scene	Sergei Prokofiev, Esa-Pekka Salonen	C Major	0	8B	80 BPM
Symphony No. 3 in C Major: III. Menuetto. Allegro	Antonio Casimir Cartellieri, Evergreen Symphony Orchestra, Gernot Schmalfuss	B Minor	2	10A	113 BPM
Gayaneh, Ballet Suite: Gayaneh's Adagio	Aram Khachaturian, Bolshoi Theatre Orchestra, Yevgeny Svetlanov	A Major	1	11B	105 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.6930181980133057

End: 0.698051929473877