"Sikermä Nico Dostalin operettilauluja Pien' valssi, yön hetki (operetista Monika) - Sä vain voit mut onnehen johtaa (operetista Die Vielgeliebte) - Uinu pienokainen (operetista Pako onneen) - Sun luonas vaan, ma onnen saan (operetista Clivia)" by Nico Dostal, Ilona Koivisto, George de Godzinsky, Radio-orkesteri was released on 2019. Since Sikermä Nico Dostalin operettilauluja Pien' valssi, yön hetki (operetista Monika) - Sä vain voit mut onnehen johtaa (operetista Die Vielgeliebte) - Uinu pienokainen (operetista Pako onneen) - Sun luonas vaan, ma onnen saan (operetista Clivia) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Ilona Koivisto's "Muistathan kai..." album is number 16 out of 16. On top of that, Finland appears to be the country where this track was created. Sikermä Nico Dostalin operettilauluja Pien' valssi, yön hetki (operetista Monika) - Sä vain voit mut onnehen johtaa (operetista Die Vielgeliebte) - Uinu pienokainen (operetista Pako onneen) - Sun luonas vaan, ma onnen saan (operetista Clivia) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Sikermä Nico Dostalin operettilauluja Pien' valssi, yön hetki (operetista Monika) - Sä vain voit mut onnehen johtaa (operetista Die Vielgeliebte) - Uinu pienokainen (operetista Pako onneen) - Sun luonas vaan, ma onnen saan (operetista Clivia) by Nico Dostal, Ilona Koivisto, George de Godzinsky, Radio-orkesteri to be Andante (at a walking pace) because the track has a tempo of 86 BPM, a half-time of 43BPM, and a double-time of 172 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die Csárdásfürstin · Operette in 3 Akten (1988 Digital Remaster), Zweiter Akt: Tanzen möcht' ich - Tausend kleine Engel singen (Sylva - Edwin) | Emmerich Kálmán, Anneliese Rothenberger, Willy Mattes, Symphonieorchester Graunke | D Major | 3 | 10B | 93 BPM | ||
Die ungarische Hochzeit, Act I: Act I: Finaletto: — (Stefen, Arpad, Potok, Chorus) | Nico Dostal, Jevgenij Taruntsov, Thomas Zisterer, Gerhard Balluch, Bad Ischl Lehar Festival Choir, Franz Lehar Orchestra, Marius Burkert | E Minor | 0 | 9A | 174 BPM | ||
Die Fledermaus: Act I: Taubchen, das entflattert ist (Adele, Alfred) | Johann Strauss II, Chen Reiss, Rainer Trost, Cologne West German Radio Orchestra, Friedrich Haider | A Major | 1 | 11B | 99 BPM | ||
Märchentraum der Liebe (aus: Die ungarische Hochzeit / Stefan, 3.Akt) | Hermann Hermecke, Nico Dostal, Peter Seiffert, Peter Falk, Wiener Opernball-Orchester (Miglieder der Wiener Volksoper), Wiener Opernball-Orchester (Mitglieder der Wiener Volksoper) | B Major | 3 | 1B | 70 BPM | ||
Monika: "Heimatland, Heimatland" | Nico Dostal, Berliner Symphoniker, Margit Schramm, Monika Dahlberg, Rudolf Schock, Ferry Gruber | G Major | 3 | 9B | 84 BPM | ||
18. When Britain really ruled the waves | Arthur Sullivan, Donald Adams, The D'Oyly Carte Opera Chorus, The New Symphony Orchestra Of London, Isidore Godfrey | A Major | 2 | 11B | 75 BPM | ||
Kodaly Quartett, Kontrabass: Istvan Toth, Klavier: Jeno Jando | Marko Simsa | D Major | 1 | 10B | 130 BPM | ||
Strauss II, J: Leichtes Blut, Op. 319 | Johann Strauss II, Rudolf Kempe, Wiener Philharmoniker | E♭ Major | 2 | 5B | 106 BPM | ||
Lehar: Giuditta, Act 3: "Meine Lippen sie küssen so heiss" (Annita) | Franz Lehár, Diana Damrau, David Charles Abell, Fritz Löhner-Beda, Royal Liverpool Philharmonic Orchestra | E Major | 4 | 12B | 81 BPM | ||
Die erste Walpurgisnacht, Op. 60: Hilf, ach hilf mir, Kriegsgeselle (Tenor, Male Chorus) | Felix Mendelssohn, MDR Leipzig Radio Chorus, Kurt Masur, Leipzig Gewandhaus Orchestra, Eberhard Büchner | F Major | 1 | 7B | 68 BPM |
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