Francis Poulenc made "Suite française d'après Claude Gervaise, FP 80b: I. Bransle de Bourgogne" available on 1951. With Suite française d'après Claude Gervaise, FP 80b: I. Bransle de Bourgogne being less than two minutes long, at 1:06, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Francis Poulenc's "Meet the Composer - Francis Poulenc Playing His Own Works" album is number 5 out of 23. On top of that, United States appears to be the country where this track was created. In terms of popularity, Suite française d'après Claude Gervaise, FP 80b: I. Bransle de Bourgogne is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Suite française d'après Claude Gervaise, FP 80b: I. Bransle de Bourgogne by Francis Poulenc to be Andante (at a walking pace) because the track has a tempo of 106 BPM, a half-time of 53BPM, and a double-time of 212 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mazurka in C Minor | Mikhail Glinka, Inga Fiolia | C Minor | 0 | 5A | 106 BPM | ||
Antiche Danze Ed Arie Per Liuto (Ancient Airs And Dances), P. 114: V. Siciliana | Ottorino Respighi, Konstantin Scherbakov | B Minor | 0 | 10A | 126 BPM | ||
10 Préludes, Op. 23: No. 4. Andante cantabile in D Major | Sergei Rachmaninoff, Nikolai Lugansky | A Major | 1 | 11B | 172 BPM | ||
Sonata in G Major, KK. 455 | Domenico Scarlatti, Yuja Wang | G Major | 1 | 9B | 139 BPM | ||
Nocturne No. 12 In G Major, H. 58d: Nocturne No. 12 In G Major | Benjamin Frith, John Field | G Major | 0 | 9B | 125 BPM | ||
6 Moments musicaux, Op. 94, D. 780: 3. Allegro moderato | Franz Schubert, Alfred Brendel | G Minor | 0 | 6A | 103 BPM | ||
Symphonic Studies, Op. 13 - Version 1852 with Etudes from 1837 version: Variation II. Marcato il canto | Robert Schumann, Mikhail Pletnev | D♭ Minor | 1 | 12A | 69 BPM | ||
Piano Concerto No. 1 in C Minor, Op. 35: II. Lento | Dmitri Shostakovich, André Previn, William Vacchiano, New York Philharmonic, Leonard Bernstein | G Major | 2 | 9B | 124 BPM | ||
12 Etudes, Op. 8 (1894): No. 2 A capriccio, con forza | Alexander Scriabin, Alexander Paley | F♯ Major | 2 | 2B | 110 BPM | ||
Children's Album No. 1 "Pictures of Childhood": No. 2, No Going for a Walk Today | Aram Khachaturian, Charlene Farrugia | A♭ Major | 1 | 4B | 85 BPM |
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