"Cello Concerto No. 2 in C Minor, Op. 77: II. Cadenza I (Tempo I Rubato - Allegro molto agitato) — attacca" by Dmitry Kabalevsky, Mats Lidström, Gothenburg Symphony Orchestra, Meg Baird was released on January 31, 1996. With Cello Concerto No. 2 in C Minor, Op. 77: II. Cadenza I (Tempo I Rubato - Allegro molto agitato) — attacca being less than two minutes long, at 1:44, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Mats Lidström, Meg Baird's "Kabalevsky, D.B.: Cello Concerto No. 2 / Khachaturian, A.I.: Cello Concerto in E Minor" album is number 2 out of 9. Based on our statistics, Cello Concerto No. 2 in C Minor, Op. 77: II. Cadenza I (Tempo I Rubato - Allegro molto agitato) — attacca's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Cello Concerto No. 2 in C Minor, Op. 77: II. Cadenza I (Tempo I Rubato - Allegro molto agitato) — attacca by Dmitry Kabalevsky, Mats Lidström, Gothenburg Symphony Orchestra, Meg Baird to be Allegro (fast, quick, and bright) because the track has a tempo of 121 BPM, a half-time of 60BPM, and a double-time of 242 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto in F-Sharp Minor, Op. 20: III. Allegro | Alexander Scriabin, Anatol Ugorski, Chicago Symphony Orchestra, Pierre Boulez | F♯ Minor | 1 | 11A | 80 BPM | ||
Suite for Violin and Orchestra in A Minor, Op.10 (Suite im alten Stil): I. Presto | Christian Sinding, Itzhak Perlman, André Previn, Pittsburgh Symphony Orchestra | G Major | 1 | 9B | 131 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 21 in E Minor. Vivace (Orch. Dvořák) | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | E Minor | 4 | 9A | 80 BPM | ||
12 Etudes, Op. 39: No. 12 Hungarian: Presto con fuoco | Edward MacDowell, James Barbagallo | A Minor | 2 | 8A | 84 BPM | ||
Notturno in G Minor | Fanny Mendelssohn, Heather Schmidt | G Minor | 1 | 6A | 125 BPM | ||
Tzigane, M. 76 | Maurice Ravel, Maxim Vengerov, Irina Vinogradova | D Major | 1 | 10B | 128 BPM | ||
The Flight Of The Bumble-Bee, From "The Tale Of Tsar Saltan" | Alexander Gindin | G Minor | 2 | 6A | 100 BPM | ||
Trois petites pièces: Chanson | Augusta Holmès, Juliette Hurel, Hélène Couvert | D Major | 0 | 10B | 70 BPM | ||
Peer Gynt Suite No.2, Op.55: 2. Arabian Dance | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | F Major | 1 | 7B | 123 BPM | ||
Piano Concerto No. 1 in C Minor, Op. 33: I. Allegro | Nikolai Medtner, Neeme Järvi, London Philharmonic Orchestra, Geoffrey Tozer | G Major | 2 | 9B | 90 BPM |
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