12 Etudes, Op. 39: No. 12 Hungarian: Presto con fuoco
Edward MacDowell, James Barbagallo
Macdowell: Second Modern Suite / Etude De Concert / 12 Etudes
1:29 April 17, 1998
BPM
84
Key
A Minor
Camelot
8A

Embed

Share Link

12 Etudes, Op. 39: No. 12 Hungarian: Presto con fuoco - Edward MacDowell, James Barbagallo Information

Acousticness
96%
Danceability
50%
Energy
18%
Instrumentalness
88%
Liveness
19%
Loudness
67%
Speechiness
3%
Valence
59%
Popularity
Loudness
-19.589 dB

Summary

Edward MacDowell, James Barbagallo made "12 Etudes, Op. 39: No. 12 Hungarian: Presto con fuoco" available on April 17, 1998. With 12 Etudes, Op. 39: No. 12 Hungarian: Presto con fuoco being less than two minutes long, at 1:29, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Edward MacDowell's "Macdowell: Second Modern Suite / Etude De Concert / 12 Etudes" album is number 22 out of 22. On top of that, Hong Kong appears to be the country where this track was created. 12 Etudes, Op. 39: No. 12 Hungarian: Presto con fuoco is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.

12 Etudes, Op. 39: No. 12 Hungarian: Presto con fuoco BPM

We consider the tempo marking of 12 Etudes, Op. 39: No. 12 Hungarian: Presto con fuoco by Edward MacDowell, James Barbagallo to be Andante (at a walking pace) because the track has a tempo of 84 BPM, a half-time of 42BPM, and a double-time of 168 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.

12 Etudes, Op. 39: No. 12 Hungarian: Presto con fuoco Key

A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Piano Sonata In F Minor, P. 16: II. Lento by Ottorino Respighi, Konstantin ScherbakovPiano Sonata In F Minor, P. 16: II. LentoOttorino Respighi, Konstantin ScherbakovA♭ Major04B132 BPM
Elgar: Serenade for Strings, Op. 20: II. Larghetto by Edward Elgar, London Philharmonic Orchestra, Sir Adrian BoultElgar: Serenade for Strings, Op. 20: II. LarghettoEdward Elgar, London Philharmonic Orchestra, Sir Adrian BoultC Major18B72 BPM
La mer, L. 109: III. Dialogue of the Wind and the Sea by Claude Debussy, Berliner Philharmoniker, Herbert von KarajanLa mer, L. 109: III. Dialogue of the Wind and the SeaClaude Debussy, Berliner Philharmoniker, Herbert von KarajanD♭ Major23B78 BPM
弦楽四重奏曲 第8番 変ロ長調 D.112/第3楽章:メヌエット、アレグロ-トリオ(『ストーリー・オブ・マイライフ/わたしの若草物語』より) by オーストリア弦楽四重奏団弦楽四重奏曲 第8番 変ロ長調 D.112/第3楽章:メヌエット、アレグロ-トリオ(『ストーリー・オブ・マイライフ/わたしの若草物語』より)オーストリア弦楽四重奏団E Minor09A68 BPM
Idylle, Op. 94 No. 3 by Moritz Moszkowski, Sofja GülbadamovaIdylle, Op. 94 No. 3Moritz Moszkowski, Sofja GülbadamovaG Major09B168 BPM
The Donkey by David Diamond, Vincent Persichetti, Otto Luening, Irving Fine, William Flanagan, Ned Rorem, Charles Ives, Douglas Moore, Jack Beeson, Paul Bowles, John Edmunds, John Alden Carpenter, Ernst Bacon, Samuel Barber, William Bergsma, Charles Griffes, John La Montaine, Virgil Thomson, Edward MacDowell, Theodore Chanler, Aaron Copland, Robert Ward, John Gruen, Daniel Pinkham, Ben Weber, Henry Cowell, John McCollum, Mildred Miller, Donald Gramm, Eleanor SteberThe DonkeyDavid Diamond, Vincent Persichetti, Otto Luening, Irving Fine, William Flanagan, Ned Rorem, Charles Ives, Douglas Moore, Jack Beeson, Paul Bowles, John Edmunds, John Alden Carpenter, Ernst Bacon, Samuel Barber, William Bergsma, Charles Griffes, John La Montaine, Virgil Thomson, Edward MacDowell, Theodore Chanler, Aaron Copland, Robert Ward, John Gruen, Daniel Pinkham, Ben Weber, Henry Cowell, John McCollum, Mildred Miller, Donald Gramm, Eleanor SteberD Major110B77 BPM
12 Études d'exécution transcendante, S. 139: No. 4 Mazeppa (Presto) by Franz Liszt, Daniil Trifonov12 Études d'exécution transcendante, S. 139: No. 4 Mazeppa (Presto)Franz Liszt, Daniil TrifonovA Major311B106 BPM
Prelude No. I by AprelsteinPrelude No. IAprelsteinA Minor08A94 BPM
Haydn: Symphony No. 104 in D Major, Hob. I:104 Haydn: Symphony No. 104 in D Major, Hob. I:104 "London": IV. Finale. SpiritosoFranz Joseph Haydn, André Previn, Pittsburgh Symphony OrchestraD Major210B136 BPM
Symphony No. 9 in E Minor, Op. 95, B. 178 Symphony No. 9 in E Minor, Op. 95, B. 178 "From the New World" (Arr. P. Breiner for Piano): IV. Allegro con fuocoAntonín Dvořák, Peter BreinerG Major09B64 BPM
ISRC
HKI199704922
Label
L-M Records/RCA Records

Section: 0.5269708633422852

End: 0.5322306156158447