Edward MacDowell, James Barbagallo made "12 Etudes, Op. 39: No. 12 Hungarian: Presto con fuoco" available on April 17, 1998. With 12 Etudes, Op. 39: No. 12 Hungarian: Presto con fuoco being less than two minutes long, at 1:29, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Edward MacDowell's "Macdowell: Second Modern Suite / Etude De Concert / 12 Etudes" album is number 22 out of 22. On top of that, Hong Kong appears to be the country where this track was created. 12 Etudes, Op. 39: No. 12 Hungarian: Presto con fuoco is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of 12 Etudes, Op. 39: No. 12 Hungarian: Presto con fuoco by Edward MacDowell, James Barbagallo to be Andante (at a walking pace) because the track has a tempo of 84 BPM, a half-time of 42BPM, and a double-time of 168 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Sonata In F Minor, P. 16: II. Lento | Ottorino Respighi, Konstantin Scherbakov | A♭ Major | 0 | 4B | 132 BPM | ||
Elgar: Serenade for Strings, Op. 20: II. Larghetto | Edward Elgar, London Philharmonic Orchestra, Sir Adrian Boult | C Major | 1 | 8B | 72 BPM | ||
La mer, L. 109: III. Dialogue of the Wind and the Sea | Claude Debussy, Berliner Philharmoniker, Herbert von Karajan | D♭ Major | 2 | 3B | 78 BPM | ||
弦楽四重奏曲 第8番 変ロ長調 D.112/第3楽章:メヌエット、アレグロ-トリオ(『ストーリー・オブ・マイライフ/わたしの若草物語』より) | オーストリア弦楽四重奏団 | E Minor | 0 | 9A | 68 BPM | ||
Idylle, Op. 94 No. 3 | Moritz Moszkowski, Sofja Gülbadamova | G Major | 0 | 9B | 168 BPM | ||
The Donkey | David Diamond, Vincent Persichetti, Otto Luening, Irving Fine, William Flanagan, Ned Rorem, Charles Ives, Douglas Moore, Jack Beeson, Paul Bowles, John Edmunds, John Alden Carpenter, Ernst Bacon, Samuel Barber, William Bergsma, Charles Griffes, John La Montaine, Virgil Thomson, Edward MacDowell, Theodore Chanler, Aaron Copland, Robert Ward, John Gruen, Daniel Pinkham, Ben Weber, Henry Cowell, John McCollum, Mildred Miller, Donald Gramm, Eleanor Steber | D Major | 1 | 10B | 77 BPM | ||
12 Études d'exécution transcendante, S. 139: No. 4 Mazeppa (Presto) | Franz Liszt, Daniil Trifonov | A Major | 3 | 11B | 106 BPM | ||
Prelude No. I | Aprelstein | A Minor | 0 | 8A | 94 BPM | ||
Haydn: Symphony No. 104 in D Major, Hob. I:104 "London": IV. Finale. Spiritoso | Franz Joseph Haydn, André Previn, Pittsburgh Symphony Orchestra | D Major | 2 | 10B | 136 BPM | ||
Symphony No. 9 in E Minor, Op. 95, B. 178 "From the New World" (Arr. P. Breiner for Piano): IV. Allegro con fuoco | Antonín Dvořák, Peter Breiner | G Major | 0 | 9B | 64 BPM |
Section: 0.5269708633422852
End: 0.5322306156158447