Jean-Philippe Rameau, Michel Kiener made "Suite in A Minor, RCT 1: VIII. Vénitienne" available on December 15, 2023. The duration of Suite in A Minor, RCT 1: VIII. Vénitienne is about two minutes long, specifically at 2:14. This song does not appear to have any foul language. Suite in A Minor, RCT 1: VIII. Vénitienne's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Jean-Philippe Rameau, Michel Kiener's "Jean Philippe Rameau: Complete Works for Harpsichord" album is number 8 out of 44. On top of that, Belgium appears to be the country where this track was created. Based on our statistics, Suite in A Minor, RCT 1: VIII. Vénitienne's popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Suite in A Minor, RCT 1: VIII. Vénitienne by Jean-Philippe Rameau, Michel Kiener to be Moderato (at a moderate speed) because the track has a tempo of 120 BPM, a half-time of 60BPM, and a double-time of 240 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les tendres plaintes--Rondeau, RCT 3/1 | Jean-Philippe Rameau, Bruce Liu | D♭ Major | 2 | 3B | 77 BPM | ||
Thaïs: Méditation | Jules Massenet, Bomsori, NFM Wrocław Philharmonic, Giancarlo Guerrero | D Major | 0 | 10B | 84 BPM | ||
Cello Concerto in F Major, RV412: 2. Larghetto | Antonio Vivaldi, Harriet Krijgh, Amsterdam Sinfonietta, Candida Thompson | D Minor | 1 | 7A | 51 BPM | ||
Adagio in F, H.XVII No.9 | Franz Joseph Haydn, Alfred Brendel | F Major | 0 | 7B | 71 BPM | ||
Sinfonia in C major, RV 112: II. Andante | Karoly Botvay | C Minor | 1 | 5A | 112 BPM | ||
Kinderszenen, Op.15: 1. Von fremden Ländern und Menschen | Robert Schumann, Martha Argerich | G Major | 0 | 9B | 128 BPM | ||
Pavane pour une infante défunte | Maurice Ravel, Alexandre Tharaud | E Minor | 0 | 9A | 63 BPM | ||
Eia Mater: Andantino | Giovanni Battista Pergolesi, Rinaldo Alessandrini, Gemma Bertagnolli, Concerto Italiano, Sara Mingardo | E Minor | 0 | 9A | 0 BPM | ||
Poulenc: Cello Sonata, FP 143: II. Cavatine | Francis Poulenc, Daniel Müller-Schott/Robert Kulek | F♯ Major | 0 | 2B | 77 BPM | ||
Oboe Concerto in D Minor, Op. 9, No. 2: I. Allegro e non presto | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | D Minor | 2 | 7A | 145 BPM |
Section: 0.6173834800720215
End: 0.6335127353668213