"La traviata / Act II: "O mio rimorso!"" by Giuseppe Verdi, Rolando Villazón, Orchestra del Teatro Regio di Torino, Gianandrea Noseda was released on January 1, 2012. With La traviata / Act II: "O mio rimorso!" being less than two minutes long, at 1:55, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Villazón - Verdi by Giuseppe Verdi, Rolando Villazón, Orchestra del Teatro Regio di Torino, Gianandrea Noseda. The song's track number on the album is #11 out of 15 tracks. Based on our data, Germany was the country where this track was produced or recorded. La traviata / Act II: "O mio rimorso!" is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since La traviata / Act II: "O mio rimorso!" by Giuseppe Verdi, Rolando Villazón, Orchestra del Teatro Regio di Torino, Gianandrea Noseda has a tempo of 88 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With La traviata / Act II: "O mio rimorso!" being at 88 BPM, the half-time would be 44 BPM with a double-time of 176 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lucia di Lammermoor / Act 1: "La pietade in suo favore" | Gaetano Donizetti, Sherrill Milnes, Nicolai Ghiaurov, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | C Major | 2 | 8B | 123 BPM | ||
Il Barbiere di Siviglia (1996 Digital Remaster): Ecco ridente in cielo (Conte) | Gioachino Rossini, Beverly Sills, Nicolai Gedda, Sherrill Milnes, Renato Capecchi, Ruggero Raimondi, Michael Rippon, John Alldis Choir, Joseph Galiano, London Symphony Orchestra, James Levine, Fedora Barbieri | C Major | 2 | 8B | 86 BPM | ||
Lucia di Lammermoor / Act 1: "Quando rapito in estasi" | Gaetano Donizetti, Joan Sutherland, Huguette Tourangeau, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | G Major | 3 | 9B | 84 BPM | ||
Requiem: IId. Liber scriptus | Giuseppe Verdi, Christa Ludwig, Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan | D Major | 1 | 10B | 71 BPM | ||
Il Trovatore, IGV 31, Act IV: "Miserere d'un'alma già vicina" (Coro, Leonora, Manrico) | Giuseppe Verdi, Salvatore Cammarano, Palacio de las Bellas Artes Orchestra, Guido Picco, Palacio de las Bellas Artes Chorus, Maria Callas, Kurt Baum | A♭ Major | 2 | 4B | 80 BPM | ||
Suor Angelica: Senza mamma, o bimbo | Giacomo Puccini, Mirella Freni, Orchestra del Maggio Musicale Fiorentino, Bruno Bartoletti | F Major | 3 | 7B | 75 BPM | ||
Don Giovanni, ossia Il dissoluto punito, K.527 / Act 1: "Giovinette, che fate all'amore" | Wolfgang Amadeus Mozart, Mojca Erdmann, Konstantin Wolff, Mahler Chamber Orchestra, Yannick Nézet-Séguin, Vocalensemble Rastatt, Holger Speck | G Major | 3 | 9B | 63 BPM | ||
Bizet: Carmen, WD 31, Act 4 Scene 2: No. 27, Duo, "C'est toi! C'est moi!" - No. 28, Choeur final, "Viva viva! La course est belle!" (Carmen, Don José, Chorus) | Georges Bizet, Maria Callas, Nicolai Gedda, Choeurs Rene Duclos, Choeurs D'Enfants Jean Pesneaud, Orchestre de l'Opéra National de Paris, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Paris Opera Orchestra | D♭ Major | 2 | 3B | 119 BPM | ||
Il Barbiere di Siviglia (1996 Digital Remaster): Se il mio nome saper voi bramate (Conte/Rosina/Figaro) | Gioachino Rossini, Beverly Sills, Nicolai Gedda, Sherrill Milnes, Renato Capecchi, Ruggero Raimondi, Michael Rippon, John Alldis Choir, Joseph Galiano, London Symphony Orchestra, James Levine, Fedora Barbieri | C Major | 1 | 8B | 116 BPM | ||
Rigoletto / Act 2: Cortigiani, vil razza dannata (Rigoletto) | Giuseppe Verdi, Vladimir Chernov, Metropolitan Opera Orchestra, James Levine | D♭ Major | 2 | 3B | 86 BPM |
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