Donizetti: Roberto Devereux: L'amor suo mi fe' beata...
Gaetano Donizetti, Leyla Gencer, Piero Cappuccilli, Anna Maria Rota, Ruggero Bondino, Gabriele De Julis, Sivano Pagliuca, Bruno Grella, Orchestra e Coro Del Teatro di San Carlo di Napoli
Roberto Devereux
2:45 August 25, 1998
BPM
175
Key
D Major
Camelot
10B

Embed

Share Link

Donizetti: Roberto Devereux: L'amor suo mi fe' beata... - Gaetano Donizetti, Leyla Gencer, Piero Cappuccilli, Anna Maria Rota, Ruggero Bondino, Gabriele De Julis, Sivano Pagliuca, Bruno Grella, Orchestra e Coro Del Teatro di San Carlo di Napoli Information

Acousticness
94%
Danceability
29%
Energy
18%
Instrumentalness
0%
Liveness
65%
Loudness
73%
Speechiness
11%
Valence
17%
Popularity
Loudness
-16.204 dB

Summary

"Donizetti: Roberto Devereux: L'amor suo mi fe' beata..." by Gaetano Donizetti, Leyla Gencer, Piero Cappuccilli, Anna Maria Rota, Ruggero Bondino, Gabriele De Julis, Sivano Pagliuca, Bruno Grella, Orchestra e Coro Del Teatro di San Carlo di Napoli was released on August 25, 1998. The duration of Donizetti: Roberto Devereux: L'amor suo mi fe' beata... is about two minutes long, specifically at 2:45. This song does not appear to have any foul language. Donizetti: Roberto Devereux: L'amor suo mi fe' beata...'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 30 in the song's album "Roberto Devereux". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United States. The popularity of Donizetti: Roberto Devereux: L'amor suo mi fe' beata... is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Donizetti: Roberto Devereux: L'amor suo mi fe' beata... BPM

With Donizetti: Roberto Devereux: L'amor suo mi fe' beata... by Gaetano Donizetti, Leyla Gencer, Piero Cappuccilli, Anna Maria Rota, Ruggero Bondino, Gabriele De Julis, Sivano Pagliuca, Bruno Grella, Orchestra e Coro Del Teatro di San Carlo di Napoli having a BPM of 175 with a half-time of 88 BPM and a double-time of 350 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.

Donizetti: Roberto Devereux: L'amor suo mi fe' beata... Key

This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Canzonetta spagnuola by Gioachino Rossini, Giuseppina Bridelli, Alessandro MarangoniCanzonetta spagnuolaGioachino Rossini, Giuseppina Bridelli, Alessandro MarangoniD Major410B103 BPM
Rossini: La cenerentola, Act 2: Rossini: La cenerentola, Act 2: "Nacqui all'affanno e al pianto.....Non più mesta" (Angelina)Gioachino Rossini, Maria Callas, Nicola Rescigno, Orchestre De La Société Des Concerts Du ConservatoireE Major112B122 BPM
L'ultima canzone by Francesco Paolo Tosti, Luciano Pavarotti, Philharmonia Orchestra, Piero GambaL'ultima canzoneFrancesco Paolo Tosti, Luciano Pavarotti, Philharmonia Orchestra, Piero GambaD Major210B72 BPM
L'elisir d'amore / Act 2: L'elisir d'amore / Act 2: "Silenzo!..."Le feste nuziale"Gaetano Donizetti, Dominic Cossa, Spiro Malas, Dame Joan Sutherland, Maria Casula, Luciano Pavarotti, Ambrosian Opera Chorus, English Chamber Orchestra, Richard BonyngeC Major28B95 BPM
Les Contes d'Hoffmann / Act 2: Les Contes d'Hoffmann / Act 2: "Les oiseaux dans la charmille"Jacques Offenbach, Edita Gruberova, Choeurs de Radio France, Jacques Jouineau, Orchestre National De France, Seiji OzawaA♭ Major14B178 BPM
Bizet: Carmen, WD 31, Act 1 Scene 10: No. 10, Séguedille et Duo, Bizet: Carmen, WD 31, Act 1 Scene 10: No. 10, Séguedille et Duo, "Près des remparts de Séville" (Carmen, Don José)Georges Bizet, Maria Callas, Nicolai Gedda, Orchestre de l'Opéra National de Paris, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Paris Opera OrchestraD Major110B83 BPM
Adriana Lecouvreur / Act 1: Adriana Lecouvreur / Act 1: "La dolcissima effigie"Francesco Cilea, Jonas Kaufmann, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio PappanoA♭ Major24B79 BPM
Wesendonck Lieder, WWV 91: Der Engel by Richard Wagner, Jonas Kaufmann, Orchester der Deutschen Oper Berlin, Donald RunniclesWesendonck Lieder, WWV 91: Der EngelRichard Wagner, Jonas Kaufmann, Orchester der Deutschen Oper Berlin, Donald RunniclesG Major29B126 BPM
Madama Butterfly: Tu, tu, piccolo iddio by Giacomo Puccini, Leontyne Price, Oliviero de Fabritiis, Orchestra Del Teatro Dell'Opera Di Roma, Wiener PhilharmonikerMadama Butterfly: Tu, tu, piccolo iddioGiacomo Puccini, Leontyne Price, Oliviero de Fabritiis, Orchestra Del Teatro Dell'Opera Di Roma, Wiener PhilharmonikerB Minor310A97 BPM
Les Contes d'Hoffmann (1989 Digital Remaster), Act I: Chanson et scène: Va pour Kleinzach! (Légende de Kleinzach: Hoffmann/Choeurs/Nathanaël) by Jacques Offenbach, Nicolai Gedda, André Cluytens, Orchestre De La Société Des Concerts Du ConservatoireLes Contes d'Hoffmann (1989 Digital Remaster), Act I: Chanson et scène: Va pour Kleinzach! (Légende de Kleinzach: Hoffmann/Choeurs/Nathanaël)Jacques Offenbach, Nicolai Gedda, André Cluytens, Orchestre De La Société Des Concerts Du ConservatoireD Minor07A106 BPM
ISRC
US89R0695140
Label
L-M Records/RCA Records

Section: 0.7752189636230469

End: 0.779534101486206