"Lamentatio Jeremiae Prophetae for Mixed Chorus a Capella, Op. 93: I. In Coena Domini, Lectio Prima" by Ernst Krenek, Netherlands Chamber Choir, Uwe Gronostay was released on August 19, 2002. Since Lamentatio Jeremiae Prophetae for Mixed Chorus a Capella, Op. 93: I. In Coena Domini, Lectio Prima is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Ernst Krenek, Netherlands Chamber Choir, Uwe Gronostay's "Lamentatio Jeremiae Prophetae" album is number 1 out of 9. Lamentatio Jeremiae Prophetae for Mixed Chorus a Capella, Op. 93: I. In Coena Domini, Lectio Prima is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Lamentatio Jeremiae Prophetae for Mixed Chorus a Capella, Op. 93: I. In Coena Domini, Lectio Prima by Ernst Krenek, Netherlands Chamber Choir, Uwe Gronostay to be Adagio (slowly with great expression) because the track has a tempo of 72 BPM, a half-time of 36BPM, and a double-time of 144 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Falla: El sombrero de tres picos, Pt. 2: Danza de los vecinos | Manuel de Falla, Sir Neville Marriner, Academy of St. Martin in the Fields | F Major | 0 | 7B | 121 BPM | ||
Cello Concerto in B Minor, Op. 104: III. Allegro moderato. Original Ending | Antonín Dvořák, Steven Isserlis, Daniel Harding, Mahler Chamber Orchestra | B Major | 0 | 1B | 77 BPM | ||
Élégie in C Minor, Op. 24 (Arr. for Viola and Piano by Lionel Tertis) | Gabriel Fauré, Timothy Ridout, Frank Dupree | A♭ Major | 0 | 4B | 86 BPM | ||
Der Diktator, Op. 49: Scene 2: Ich werde noch arbeiten (Dictator, Charlotte) | Ernst Krenek, Urban Malmberg, Celina Lindsley, Robert Worle, Gabriele Maria Ronge, Deutsches Symphonie-Orchester Berlin, Marek Janowski | D♭ Minor | 1 | 12A | 168 BPM | ||
Turangalîla-Symphony: V. Joie du sang des étoiles. Vif, passionné, avec joie | Olivier Messiaen, Toronto Symphony Orchestra, Gustavo Gimeno, Marc-André Hamelin, Nathalie Forget | D♭ Major | 5 | 3B | 85 BPM | ||
Septet in E-Flat Major, Op. 65: I. Préambule. Allegro moderato – Più allegro | Camille Saint-Saëns, Nash Ensemble | F Minor | 0 | 4A | 96 BPM | ||
The Music Makers, Op. 69: I. Introduction. Moderato | Edward Elgar, Sarah Connolly, Greg Beardsell, Bournemouth Symphony Chorus, Bournemouth Symphony Orchestra, Simon Wright | G Major | 2 | 9B | 85 BPM | ||
The Danserye (Transcr. for Piano by Florian Noack): III. Den Hoboeckendans | Tylman Susato, Florian Noack | C Minor | 2 | 5A | 110 BPM | ||
Das geheime Konigreich, Op. 50: Scene 2: Sinnlos, sinnlos schleich ich in dem Wald (Konig, 2 Revolutionare, Narr) | Ernst Krenek, Michael Kraus, Claudia Barainsky, Urban Malmberg, Pär Lindskog, Celina Lindsley, Silvia Weiss, Michelle Breedt, Falko Maiwald, Egbert Junghanns, RIAS Kammerchor, Deutsches Symphonie-Orchester Berlin, Marek Janowski | D♭ Minor | 1 | 12A | 168 BPM | ||
Rhapsody-Concerto, H. 337: I. Moderato | Bohuslav Martinů, Maxim Rysanov, BBC Symphony Orchestra, Jiří Bělohlávek | B♭ Major | 1 | 6B | 141 BPM |
Section: 1.1332576274871826
End: 1.1376304626464844