Georg Philipp Telemann, Maya Magub, Jonathan Morton's 'Sonata No. 5 in A Major, TWV 40:122: I. Vivace' came out on October 7, 2022. With Sonata No. 5 in A Major, TWV 40:122: I. Vivace being less than two minutes long, at 1:53, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 13 out of 38 in Canons by Maya Magub. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Sonata No. 5 in A Major, TWV 40:122: I. Vivace is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Sonata No. 5 in A Major, TWV 40:122: I. Vivace by Georg Philipp Telemann, Maya Magub, Jonathan Morton is Moderato (at a moderate speed), since this song has a tempo of 112 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Telemann: Tafelmusik, Pt. 3: Ouverture-Suite in B-Flat Major, TWV 55:B1: V. Flaterie | Georg Philipp Telemann, Amsterdam Baroque Orchestra, Ton Koopman, Ku Ebbinge, Michel Henry, Monica Huggett, Alison Bury | F♯ Major | 1 | 2B | 73 BPM | ||
Symphony in G Major, Op. 3 No. 3, WolS G3: IV. Presto | Johann Stamitz, Musica Viva, Alexander Rudin | D♭ Major | 4 | 3B | 147 BPM | ||
Symphony No. 5 in D Major, Op. 2, "St. Cecilia's Day Ode": III. Tempo di Minuetto | William Boyce, Aradia Ensemble, Kevin Mallon | D♭ Major | 1 | 3B | 93 BPM | ||
Intermedes de Xerxes: Ouverture | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Major | 0 | 2B | 98 BPM | ||
Sonate No.4 (Six Sonates en symphonies op.3): 2. Aria: Andante gratioso | Jean-Joseph Cassanéa De Mondonville, Les Musiciens du Louvre, Marc Minkowski | B Minor | 0 | 10A | 102 BPM | ||
Pièces de viole, Livre 3 - Suite No. 7 in G Major: No. 92. Prélude. Lentement | Marin Marais, Mieneke van der Velden, Glen Wilson | E♭ Minor | 0 | 2A | 120 BPM | ||
Intermedes de Xerxes: Bourre pour les Basques | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Major | 1 | 2B | 140 BPM | ||
Gideon, Pt. 3: Air. Let the Trumpet's Sound Inviting | George Frideric Handel, David Cordier, Barbara Hannigan, Stephan MacLeod, Linda Perillo, Knut Schoch, Nicola Wemyss, Junge Kantorei, Barockorchester Frankfurt, Joachim Carlos Martini | D Major | 1 | 10B | 77 BPM | ||
Trio Sonata No. 1 in A Minor: II. Fuga | William Boyce, Simon Standage, Collegium Musicum 90 | A♭ Minor | 1 | 1A | 81 BPM | ||
Concerto di Flauti, S.D945: II. Allegro | Alessandro Marcello, Dorothee Oberlinger | C Major | 1 | 8B | 138 BPM |
Section: 0.5215754508972168
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