Kurt Weill, Wilhelm Brückner-Rüggeberg, Norddeutsches Radio Orchester's ' "Aufstieg und Fall der Stadt Mahagonny: No. 7, Alle grossen Unternehmungen haben ihre Krisen - Fatty und Moses!" was released on its scheduled release date, 1958. With This song being less than two minutes long, at 1:23, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 38 in the song's album "Rise and Fall of the City of Mahagonny". In this album, this song's track order is #10. Based on our statistics, Aufstieg und Fall der Stadt Mahagonny: No. 7, Alle grossen Unternehmungen haben ihre Krisen - Fatty und Moses!'s popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Aufstieg und Fall der Stadt Mahagonny: No. 7, Alle grossen Unternehmungen haben ihre Krisen - Fatty und Moses! by Kurt Weill, Wilhelm Brückner-Rüggeberg, Norddeutsches Radio Orchester having a BPM of 125 with a half-time of 62 BPM and a double-time of 250 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rusalka, Op. 114, B. 203, Act I: Mesícku na nebi hlubokém ("Song to the Moon") | Antonín Dvořák, Frederica von Stade, Seiji Ozawa, Boston Symphony Orchestra | F♯ Major | 1 | 2B | 93 BPM | ||
Concerto for Cello & Wind Band: V. Finale: Alla Marcia | Friedrich Gulda, Nicolas Altstaedt, Alexander Joel, Deutsche Staatsphilharmonie Rheinland-Pfalz | F Major | 2 | 7B | 153 BPM | ||
Madama Butterfly / Act 2: Coro a bocca chiusa (Humming Chorus) | Giacomo Puccini, Vienna State Opera Chorus, Wiener Philharmoniker, Herbert von Karajan | B♭ Major | 0 | 6B | 78 BPM | ||
Life and Works: Rusalka (Act I: Song to the Moon) | Sean Barrett | F♯ Major | 0 | 2B | 126 BPM | ||
Les Contes d'Hoffmann / Act 2: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Dame Joan Sutherland, Huguette Tourangeau, Chorus Pro Arte Lausanne Du Brassus, Radio Suisse Romande Chorus, Orchestre de la Suisse Romande, Richard Bonynge | D Major | 1 | 10B | 82 BPM | ||
Orphée et Eurydice: J'ai perdu mon Eurydice | Maria Callas, Georges Prêtre, The Orchestra National De La Radiodiffusion Francaise | C Major | 2 | 8B | 71 BPM | ||
Petite Messe solennelle: I. Kyrie eleison - Christe eleison | Gioachino Rossini, Bavarian Radio Chorus, Tal & Groethuysen | C Major | 1 | 8B | 65 BPM | ||
I Wish It So | Marc Blitzstein, Dawn Upshaw | C Major | 0 | 8B | 80 BPM | ||
Swing On Beethoven | Philharmonix | C Minor | 1 | 5A | 75 BPM | ||
Die Dreigroschenoper: VI. Zweites Dreigroschenfinale: Wovon lebt der Mensch | Kurt Weill, Torsten Mossberg, Karin Hultenberger, Curt Hedlund, Jan Bergnér | G Minor | 2 | 6A | 74 BPM |