George Frideric Handel, William Christie, Anne Sofie von Otter, Antonio Abete, Elizabeth Norberg-Schulz, Giovanni Furlanetto, Lawrence Zazzo, Sandrine Piau, Silvia Tro Santafe, Les Arts Florissants's 'Handel: Serse, HWV 40, Act 3, Finale: Recitativo. "Perfidi! e ancor osate" (Serse, Ariodate, Arsamene, Romilda, Amastre, Elviro, Atalanta)' came out on 2004. The duration of Handel: Serse, HWV 40, Act 3, Finale: Recitativo. "Perfidi! e ancor osate" (Serse, Ariodate, Arsamene, Romilda, Amastre, Elviro, Atalanta) is about two minutes long, specifically at 2:02. This song does not appear to have any foul language. Handel: Serse, HWV 40, Act 3, Finale: Recitativo. "Perfidi! e ancor osate" (Serse, Ariodate, Arsamene, Romilda, Amastre, Elviro, Atalanta)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in George Frideric Handel, William Christie's "Handel: Serse" album is number 22 out of 101. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Handel: Serse, HWV 40, Act 3, Finale: Recitativo. "Perfidi! e ancor osate" (Serse, Ariodate, Arsamene, Romilda, Amastre, Elviro, Atalanta)'s popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Handel: Serse, HWV 40, Act 3, Finale: Recitativo. "Perfidi! e ancor osate" (Serse, Ariodate, Arsamene, Romilda, Amastre, Elviro, Atalanta) by George Frideric Handel, William Christie, Anne Sofie von Otter, Antonio Abete, Elizabeth Norberg-Schulz, Giovanni Furlanetto, Lawrence Zazzo, Sandrine Piau, Silvia Tro Santafe, Les Arts Florissants to be Allegro (fast, quick, and bright) because the track has a tempo of 147 BPM, a half-time of 74BPM, and a double-time of 294 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bach, J.S.: Brandenburg Concerto No. 2 in F Major, BWV 1047: III. Allegro assai | Johann Sebastian Bach, Mark Bennett, Rachel Beckett, Paul Goodwin, Monica Huggett, Orchestra of the Age of Enlightenment | E Major | 3 | 12B | 109 BPM | ||
Mozart: Zaide, K. 344/336b, Act 1 Scene 3: No. 3, Arie, "Ruhe sanft, mein holdes Leben" (Zaide) | Wolfgang Amadeus Mozart, Natalie Dessay, Orchestra of the Age of Enlightenment, Louis Langrée | G Major | 1 | 9B | 166 BPM | ||
Concerto grosso No. 1 in D Major, Op. 6: II. Largo - Allegro | Arcangelo Corelli, Gli Incogniti, Amandine Beyer, Helena Zemanova | D♭ Major | 2 | 3B | 146 BPM | ||
Messiah, HVW 56, Part 1, Scene 5: He shall feed his flock | George Frideric Handel, Bible, Charles Jennens, Anna Zander, Kerstin Avemo, Rebaroque, Gary Graden | C Major | 0 | 8B | 80 BPM | ||
San Giovanni Battista: Sinfonia | Alessandro Stradella, Concerto Italiano, Rinaldo Alessandrini | D♭ Major | 1 | 3B | 64 BPM | ||
Trio Sonata for 2 Violins and Continuo in D, Op.5, No.2, HWV 397: 4. Marche | George Frideric Handel, Simon Standage, Michaela Comberti, Anthony Pleeth, Trevor Pinnock | A Major | 2 | 11B | 115 BPM | ||
Rondo in D Minor, Wq. 61/4, H. 290 | Carl Philipp Emanuel Bach, Christopher Hinterhuber | B♭ Major | 1 | 6B | 135 BPM | ||
Flute Concerto in A Minor, QV 5:238: I. Allegretto | Johann Joachim Quantz, Mary Oleskiewicz, Concerto Armonico Budapest, Miklós Spányi | G Minor | 2 | 6A | 143 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : V. Largo | Arcangelo Corelli, Quido Holbling, Daniela Ruso, Ludovit Kanta, Anna Holbling, Capella Istropolitana | B Minor | 1 | 10A | 87 BPM | ||
Amphitryon, or The Two Sosias, Z.572: Hornpipe - Scotch Tune | Henry Purcell, Academy of Ancient Music, Christopher Hogwood | E Major | 1 | 12B | 115 BPM |
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