"Pique Dame, Op. 68, TH. 10: Akh, istomilas ya gorem" by Pyotr Ilyich Tchaikovsky, Anna Netrebko, Orchestra Del Teatro Alla Scala, Milano, Riccardo Chailly was released on September 17, 2021. With this song being around four minutes long, at 3:40, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. Since Tchaikovsky: Pique Dame, Op. 68, TH. 10: Akh! istomilas ya gorem only contains only one song in the album, we like to consider this song as a single. Furthermore, we believe that the track originated from Germany. Pique Dame, Op. 68, TH. 10: Akh, istomilas ya gorem is not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.
With Pique Dame, Op. 68, TH. 10: Akh, istomilas ya gorem by Pyotr Ilyich Tchaikovsky, Anna Netrebko, Orchestra Del Teatro Alla Scala, Milano, Riccardo Chailly having a BPM of 79 with a half-time of 40 BPM and a double-time of 158 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rossini: Il barbiere di Siviglia, Act 1: "All'idea di quel metallo" (Figaro, Almaviva) | Gioachino Rossini, Michael Spyres, Lawrence Brownlee, I Virtuosi Italiani, Corrado Rovaris | D Major | 3 | 10B | 91 BPM | ||
La mamma morta (From the Opera "Andrea Chenier") | Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin | D Major | 1 | 10B | 73 BPM | ||
Adriana Lecouvreur: Poveri fiori | Francesco Cilea, Anna Netrebko, Orchestra Del Teatro Alla Scala, Milano, Riccardo Chailly | D Minor | 2 | 7A | 76 BPM | ||
Rossini: Otello, Act 2: "Ah! vieni, nel tuo sangue vendicherò le offese" (Otello, Rodrigo) | Gioachino Rossini, Michael Spyres, Lawrence Brownlee, I Virtuosi Italiani, Corrado Rovaris | F Major | 4 | 7B | 140 BPM | ||
Clair De Lune Opus 46/2 | Gabriel Fauré, Susan Manoff, Sandrine Piau | F Minor | 0 | 4A | 105 BPM | ||
Cavalleria rusticana: Ave Maria | Pietro Mascagni, Elina Garanca, Deutsche Radio Philharmonie Saarbrücken, Karel Mark Chichon | E Major | 1 | 12B | 109 BPM | ||
L'elisir d'amore / Act I: "Bel conforto" | Gaetano Donizetti, Dawn Upshaw, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, James Levine | F Major | 2 | 7B | 119 BPM | ||
Faust, CG 4 / Act 3: "Salut! demeure chaste et pure" | Charles Gounod, Benjamin Bernheim, PKF – Prague Philharmonia, Emmanuel Villaume | A♭ Major | 2 | 4B | 109 BPM | ||
Rigoletto / Act 1: "Gualtier Maldè! ... Caro nome" | Giuseppe Verdi, Angela Gheorghiu, Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo Chailly | F♯ Major | 6 | 2B | 83 BPM | ||
Turandot, Act 2: "in Questa Reggia" | Birgit Nilsson | D Major | 3 | 10B | 85 BPM |
Section: 0.6246588230133057
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