"La mamma morta (From the Opera "Andrea Chenier")" by Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin was released on December 13, 2017. With this song being about 5 minutes long, at 4:46, "La mamma morta (From the Opera "Andrea Chenier")" by Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Various Artists's "Maria by Callas (Bande originale du film)" album is number 24 out of 27. La mamma morta (From the Opera "Andrea Chenier") is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of La mamma morta (From the Opera "Andrea Chenier") by Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin to be Adagio (slowly with great expression) because the track has a tempo of 73 BPM, a half-time of 36BPM, and a double-time of 146 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lucia di Lammermoor (1997 Digital Remaster), ATTO SECONDO, Scena seconda: Piange la madre estinta (Enrico/Lucia/Arturo/Raimondo) | Gaetano Donizetti, Salvatore Cammarano, Valiano Natali, Tito Gobbi, Coro del Maggio Musicale Fiorentino, Orchestra del Maggio Musicale Fiorentino, Tullio Serafin | D Major | 1 | 10B | 89 BPM | ||
Senza Mamma Suor Angelica | Barrington Pheloung | A Minor | 2 | 8A | 95 BPM | ||
Verdi: Macbeth, Act 1: "Nel dì della vittoria" - "Vieni t'affretta" (Lady Macbeth, Chorus) | Giuseppe Verdi, Maria Callas, The Philharmonia Chorus, Nicola Rescigno, Philharmonia Orchestra | F♯ Minor | 0 | 11A | 89 BPM | ||
Les Troyens / Act 5: No.38 Chanson d'Hylas: "Vallon sonore" | Hector Berlioz, Ryland Davies, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | A♭ Major | 1 | 4B | 81 BPM | ||
Stabat Mater: 12. Quando corpus - Amen | Giovanni Battista Pergolesi, Margaret Marshall, Lucia Valentini Terrani, Leslie Pearson, London Symphony Orchestra, Claudio Abbado | B♭ Minor | 1 | 3A | 121 BPM | ||
La Wally (1997 Digital Remaster): Ebben?...Ne andrò lontana | Maria Callas, Tullio Serafin, Philharmonia Orchestra | C Major | 2 | 8B | 71 BPM | ||
Rinaldo, HWV 7a / Act 2: "Lascia ch'io pianga" | George Frideric Handel, Elin Manahan Thomas, Orchestra of the Age of Enlightenment, Harry Christophers | E Major | 0 | 12B | 90 BPM | ||
Ponchielli: La Gioconda, Act 3: "O madre mia, nell'isola fatale" (Gioconda) | Amilcare Ponchielli, Maria Callas, Antonino Votto, Orchestra di Torino Della RAI | F Major | 1 | 7B | 77 BPM | ||
Caro Nome Che Il Mio Cor (Traviata) | José van Dam | A♭ Major | 1 | 4B | 78 BPM | ||
Il tango delle capinere | Leo Nucci, Salotto Ottocento Ensemble | D Major | 4 | 10B | 82 BPM |
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